Advance Magazine Publishers Inc. & Anor v Cornucopia Entertainment Limited & Anor [2026] EWHC 1488 (IPEC)

[2026] EWHC 1488 (IPEC)Claim No.IP-2025-000022
IN THE HIGH COURT OF JUSTICE
BUSINESS AND PROPERTY COURTS OF ENGLAND AND WALES
INTELLECTUAL PROPERTY ENTERPRISE COURT
Miss Recorder Amanda Michaels(Sitting as a Deputy Judge of the Intellectual Property Enterprise Court)
ADVANCE MAGAZINE PUBLISHERS INC.ClaimantTHE CONDÉ NAST PUBLICATIONS LIMITEDClaimantCORNUCOPIA ENTERTAINMENT LIMITEDDefendantMINESH VOHRADefendantTHEO BARCLAY (instructed by Stobbs IP) for ClaimantsMINESH VOHRA in person for DefendantsHearing Hearing dates: 25 and 26 March 2026
APPROVED JUDGMENTThis judgment was handed down by the Court remotely by circulation to the parties' representatives by email and release to The National Archives. The date and time for hand-down is deemed to be 10:30 on 23 June 2026Miss Recorder Amanda Michaels:Date 2026-06-23

ANNEX A

[1]This is my judgment following the trial of liability only in a trade mark and passing off claim relating to the well-known names Vanity Fair and GQ. Both of those names are protected by trade marks registered in the UK. The Claimants’ case is that the First Defendant, and the Second Defendant, its managing director Mr Vohra, have infringed those marks by their use in connection with the First Defendant’s business, which according to Mr Vohra in essence provides “concierge” services. The Claimants also allege that there has been passing off by the Defendants’ use of the Vanity Fair and GQ names. For the reasons I give below, I find that there has been both infringement and passing off.

The parties

[2]The First Claimant is incorporated in the USA and so far as relevant to these proceedings it trades as “Condé Nast.” It has for many years published the magazines Vanity Fair and GQ. Vanity Fair was launched in the UK in 1991 and since 1996 there has been a connected website at www.vanityfair.com. The First Claimant organises and hosts Vanity Fair branded events, in particular, since 2001 it has hosted a Vanity Fair Cannes Party (during the international film festival), and a Vanity Fair Oscar Party on the night of the Academy Awards ceremony, hosted since 1994.

The Trade Marks

[3]A British edition of GQ magazine has been published in the UK since 1988 and there is a dedicated UK website for it at www.gq-magazine.co.uk.[4]The Second Claimant is the UK subsidiary of the First Claimant and a licensee of the registered trade marks in issue. In that capacity, it organises and hosts an annual GQ Men of the Year Awards event, which has been held in the UK since 2009, together with a connected party, the GQ Men of the Year Party. Where appropriate in this judgment I refer to the Vanity Fair and GQ events together as “the Events.”

s.10(1) Trade Mark Infringement

[5]The First Defendant is a company registered in England and Wales. Mr Vohra is one of two directors of the company. He described himself in his witness statement as its founder and he said it trades as Cornucopia Events and operates a website at https://cornucopia-events.co.uk (“the Cornucopia website”). The First Defendant’s email signatures in evidence state:
“Cornucopia Events™ is part of The Cornucopia Group™ which is operated by Cornucopia Entertainment Limited.”
Mr Vohra is the only person shown as having significant control of the company and he accepted in evidence that he holds 75% of its shares. The Cornucopia website describes Mr Vohra’s business background and achievements. He is said to have a law degree and have trained as a barrister and a paralegal. In cross-examination he said that he had not completed his training or been called to the Bar.[6]A page which looks like the home page of the Cornucopia website from January 2025 described the business as follows:
“Headquartered in London, the Cornucopia Group is an award winning and revolutionary, international full service entertainment and events conglomerate, widely considered to be the number one event, hospitality and entertainment agency in the world. … we are proud to be the world’s largest provider of exclusive access to invitation only events. A £250m global business … the Group comprises three brands that provide event management, wedding planning, concierge, lifestyle, MICE, luxury leisure and event services …”
Other pages described Cornucopia Events as “The world’s largest provider of exclusive access to invitation only events.” Pages from early 2026 describe the different levels of membership offered by the First Defendant, such as its platinum membership, which has three levels, and is said to be for clients “seeking to attend the most prestigious events around the world” and includes “sourcing tickets to exclusive events” and securing “access to invitation only events.” Members “will enjoy secure access to invitation-only events…whether you wish to attend the Grammy Award or compete with Heidi Klum for the scariest Halloween dress at her phantasmagorical party you just tell us and we will assure your tickets… Access to all invitation only events as per the Best Annual events schedule (email your membership manager for the latest version).”[7]Nevertheless, in his evidence, Mr Vohra’s position was that the First Defendant was a small company unable to afford professional representation at the trial. His evidence was that it is one of a small group of companies offering concierge services.

s.10(2) Trade Mark Infringement

[8]The Claimants say that the Defendants have been infringing their trade marks and passing off by selling, advertising or offering for sale tickets to the Events. They say that the Events are exclusive, invitation-only occasions, and tickets are not available for sale or resale.[9]The Claimants first complained about the First Defendant’s activities in March 2020 when its US in-house counsel emailed both Defendants about use on the Cornucopia website of its registered marks GQ and GQ MEN OF THE YEAR in connection with what the Claimants said was the advertisement for the sale of tickets to the GQ MOTY Awards 2020. There was apparently no response to that letter. In April 2024, Stobbs IP wrote to the Defendants on behalf of the First Claimant. They complained that the First Defendant had infringed various VANITY FAIR and GQ/GQ MEN OF THE YEAR trade marks (some of which are the marks relied upon in these proceedings) and had passed off, by offering for sale or claiming to be able to source for sale, tickets to the Vanity Fair Cannes Party and GQ Men of the Year Awards, as well as by using email addresses comprising the trade marks, such as GQMenoftheYear@cornucopia-events.co.uk. An undertaking to cease those acts was sought, but I was told that there was no response to the letter.[10]Stobbs IP followed up with a letter of claim on 4 November 2024 in similar terms, complaining of offers on the Cornucopia website and the First Defendant’s Instagram and Facebook accounts of tickets for the Vanity Fair Oscars After Party, and the Vanity Fair Cannes Party, and the GQ Men of the Year Awards and Party. In the absence of any response, the claim form in this action was issued on 26 February 2025.

The proceedings

[11]The Particulars of Claim allege that the Defendants have infringed five of the First Claimant’s trade marks (“the Marks”). The Marks are registered for a variety of goods and services but were relied upon only in relation to those identified in the table below: UK trade mark number Mark Dates of filing/ registration Goods and services relied upon 00905810239 VANITY FAIR 4 Apr 2007/ 24 Jan 2008 Printed matter, in particular periodicals, entertainment, conducting award ceremonies for entertainment purposes, and providing of food and drink and temporary accommodation. 00003734946 VANITY FAIR 20 Dec 2021/ 29 Apr 2022 Downloadable magazines, printed publications in electronically readable form, arranging for ticket reservations for shows and other entertainment events, entertainment ticket agency services, ticket reservation and booking services for education, entertainment and sports activities and events, and ticketing and event booking services. 00002260435 GQ 7 Feb 2001/ 24 Aug 2001 Printed periodical publications and magazines. 00003734890 GQ 20 Dec 2021/ 29 Apr 2022 Downloadable magazines, printed publications in electronically readable form, arranging for ticket reservations for shows and other entertainment events, entertainment ticket agency services, ticket reservation and booking services for education, entertainment and sports activities and events, and ticketing and event booking services 00903345576 GQ MEN OF THE YEAR 5 Sept 2003/ 31 Jan 2005 Non-printed and electronic publications, printed matter and publications, organising, conducting, staging of and providing facilities for ceremonies and events, and organising, conducting, staging of, judging of and providing facilities for competitions and awards[12]The Claimants alleged infringement under each of sections 10(1), (2) and (3) of the Trade Marks Act 1994 (“the 1994 Act”), as well as passing off. The Claimants say that each of the Marks has a reputation within the meaning of section 10(3) of the 1994 Act and has acquired an enhanced distinctive character. They did not specify whether that claim related to all or just some of the goods and services identified in the table above. They also claimed goodwill in the VANITY FAIR and GQ brands, stating that they are distinctive of the Claimants when used in relation to online and print publications and the promotion, advertising and hosting of fashion and entertainment events and award nights. No specific claim was made to goodwill in the Claimants’ get-up although the Claimants did plead that their get-up (essentially, it seems, the style and colour of the brand titles) had been appropriated by the First Defendant.[13]I consider the infringement claims fully below, but the gist of the complaint was that Cornucopia Events had been offering tickets for sale to the Events through the website and its social media accounts, starting with tickets to the GQ Men of the Year Awards 2019 and including other GQ events, and the Vanity Fair Oscars and Cannes Parties.[14]They said that Mr Vohra was jointly liable with the First Defendant, as the controlling mind behind the company, and the person who authorised or procured its acts of infringement and passing off.

Passing off

[15]On 1 April 2025, a Defence was filed on behalf of the First Defendant. At paragraphs 6-8 the First Defendant said “6. …The Defendants do not falsely claim affiliation with Vanity Fair or GQ. Cornucopia Entertainment Limited is a lifestyle and concierge company that provides clients with access to high-profile events around the world. Where possible, this includes facilitating the sale or resale of event invitations or access packages, which may involve Vanity Fair or GQ-branded events. 7. The Second Defendant asserts that such access has been lawfully acquired through legal and secondary channels. The Claimants have not brought any claim under ticket resale or consumer law provisions and it is notable that they do not challenge the legality of these ticket sales…” 8. The use of the GQ and VANITY FAIR names on the Defendants’ website is descriptive in nature and intended to inform clients of event access opportunities….” The Defence denied falsely claiming affiliation with the Claimants. It denied that anyone had been confused and denied infringement. It also raised a Counterclaim (abandoned at the CMC) for defamation and malicious falsehood. Mr Vohra filed a Defence in April 2025 in very similar terms, including the same points quoted above from paragraphs 6-8. Neither Defence dealt specifically with the allegation of joint liability.[16]The CMC was held on 22 October 2025. Mr Vohra attended on behalf of both Defendants. The statement of truth on the Defence of the First Defendant had been signed by a Mr Julian Solomonides. He was described as “Director” (as, indeed, he describes himself in much of the correspondence in evidence) and it appears that he had been a director of the company, but he had resigned well before the claim was issued. The First Defendant therefore agreed to refile its Defence signed by Mr Vohra and any other party with knowledge of the facts alleged in it, as soon as practicable. Disclosure was ordered by reference to a List of Issues, in the usual way for IPEC, and directions given to trial. Issues 1 and 2 in the List reflected the defence put forward in paragraphs 6 and 7 of the Defences – that access to the Events provided by the Defendants was lawfully acquired through legal and secondary channels – raising the issue of whether the Claimants’ trade mark rights had been exhausted.[17]The Defendants did not comply with HHJ Hacon’s Order about the First Defendant’s Defence. Instead, on 14 November 2025 a single Amended Defence of both Defendants was served on the Claimants, which reformulated the Defendants’ case. The statement of truth was signed only by Mr Vohra. It was dated 20 November 2025. No application was made for permission to file the Amended Defence despite Stobbs IP telling the Defendants that an application was needed. The Amended Defence still denied infringement and passing off but its new position was encapsulated in paragraphs 4-6 of the draft:
“4. The Defendants have never sold, issued or supplied tickets or access rights to any events organised or branded by the Claimants, including GQ Men of the Year Awards, GQ Men of the Year Party, Vanity Fair Oscars Party or Vanity Fair Cannes Party. 5. The website references to those events are purely descriptive, providing general information about high-profile invitation-only occasions that form part of the global luxury-events landscape to which clients often aspire. 6. No sales have ever taken place in respect of any GQ or Vanity Fair event. All communications or pages are informational only and are clearly branded as Cornucopia Events.”
In paragraph 10, they added that there was no representation of any commercial connection, licence or sponsorship by the Claimants.[18]Paragraphs 4-6 contradict the position put in the original Defences, which accepted that the First Defendant had provided access to the Events for clients, but claimed that such access was legitimate. In the amended statement of case, it is denied that any sales have been made, or that tickets have been offered for sale by the First Defendant. The position put in the draft Amended Defence was reflected in the witness statement of Mr Vohra, filed on behalf of both Defendants. He said that the First Defendant had never sold or supplied a ticket to one of the Events, and reiterated that the references to the Claimants’ marks and Events on the Cornucopia website were “descriptive and informational only” and were there to provide “context” for clients who inquire about aspirational, invitation-only events. Procedural points a). Remote trial[19]The trial was held over two days. Arrangements had been made in advance for one of the Claimants’ witnesses to give evidence remotely from France. The day before the trial, the Court was informed that Mr Vohra – the Defendants’ sole witness and the person who would be conducting their defence – would be attending remotely. The Claimants objected to this. On Day 1, after overcoming some technical difficulties with the video link, Mr Vohra said that he could not attend in person as he was in Qatar. However, quite apart from having made no application to that effect to this Court, no application had been made to the appropriate authorities in Qatar for permission to give evidence in a UK court from Qatar. Giving evidence from abroad raises issues of sovereignty (see the notes and cases cited at paragraph 32.3.1.1 of the White Book). The Claimants had helpfully found the most recent government guidance as to the approach of different states to giving evidence in this way, which stated that “We have not been able to obtain the agreement of the Government of Qatar to our request to allow individuals in Qatar to voluntarily give evidence from Qatar by video link for UK civil, commercial or administrative tribunals (either as a witness or when appealing a case). Requests can be submitted on a case-by-case basis but the FCDO are unable to confirm whether a response will be received.” I therefore informed Mr Vohra that he would not be able to give his evidence from Qatar. The Claimants suggested we could start the trial and then adjourn (at the Defendants’ cost) until Mr Vohra could be available to give his evidence. Mr Vohra then said that he would arrange to fly back from Qatar overnight. He asked for permission to attend remotely even when back in London, but I refused that application, and he attended in person on Day 2 of the trial. b). Amended Defence[20]At the opening of the trial, the Claimants said that if the Defendants wished to apply for permission to rely on the Amended Defence, they would not object. Mr Vohra made that application informally and on that basis the Amended Defence was admitted into the proceedings. c). Supplemental documents[21]The Claimants also sought permission to rely upon a supplemental bundle of 25 documents. Most of these, they said, had become relevant following the Defendants’ change of case in the Amended Defence. However, they accepted that the rules applicable to the IPEC lead to difficulties in relying upon documents which were not disclosed following the directions given at the CMC.[22]CPR 63.23 provides:
“(1) At the first case management conference after those defendants who intend to file and serve a defence have done so, the court will identify the issues and decide whether to make an order in accordance with paragraph 29.1 of Practice Direction 63. (2) Save in exceptional circumstances the court will not permit a party to submit material in addition to that ordered under paragraph (1).”
CPR 63PD paragraph 29 provides:
“29.1 At the case management conference referred to in rule 63.23 the court may order any of the following – (1) specific disclosure; … 29.2 The court will make an order under paragraph 29.1 only – (1) in relation to specific and identified issues; and (2) if the court is satisfied that the benefit of the further material in terms of its value in resolving those issues appears likely to justify the cost of producing and dealing with it.”
[23]The IPEC Guide says:
“The CMC is a particularly important part of IPEC procedure. No material may be filed in the case by way of evidence, disclosure or written submissions unless permission is given by the judge. The first and last opportunity to obtain such permission is likely to be at the CMC. Save in exceptional circumstances the court will not permit a party to submit material in addition to that ordered at the CMC (Part 63 rule 23(2)).”
[24]Mr Barclay addressed me on the supplemental documents being pursued by category, although he did not pursue the application in relation to several of the documents in the bundle. Mr Vohra objected to the inclusion of any of the documents, saying that they did not show “transactional conduct, consumer confusion or damage.” I gave my ruling on the application at the time, but said I would give reasons in this judgment, to save Court time. My reasons were as follows:a. The document at Tab 11 was an email chain from February 2022. I was told that this had been disclosed but had been excluded from the trial bundle by mistake. CPR 63.23 did not apply to it, and I agreed it should be placed in evidence.b. Tabs 2 and 6 contained copies of the Particulars of Claim in proceedings brought against the First Defendant in respect of similar alleged infringements of third-party marks. Those proceedings had been described in paragraph 21(a) of the Particulars of Claim in this case, as an indication of Mr Vohra’s familiarity with similar acts of trade mark infringement. In the circumstances, it did not seem to me that it was right to say that the need for these documents arose from the Defendants’ changed case, nor did I consider that it would be possible to place any significant reliance on the allegations made in those documents without evidence about them. I did not consider that they passed the test for CPR 63.23.c. Tabs 7, 9, 10, 12-13, 17-19 and 21 all related to the claims made on the Cornucopia website that the First Defendant had won or been short-listed for innumerable awards. The Claimants said that these documents cast doubt on those claims and so went to tarnishment and unfair advantage relevant to s 10(3) as well as to Mr Vohra’s veracity. These documents did not seem to me to be of significance to the issues I needed to decide in relation to the 10(3) claims, nor did they take the issue of veracity further than a number of other documents which are already before the Court. They did not pass the stringent test of CPR 63.23.d. Tabs 15 and 20 contained documents which were said to show the inconsistencies in the Defendants’ case on the size of the First Defendant’s business and its turnover and so to go to veracity. Again, they did not seem to me to take the issue of veracity further than a number of other documents which are already before the Court, or to pass the stringent test of CPR 63.23.e. Tab 14 was a copy of a website article from May 2024 discussing Cornucopia’s Events’ offer to sell tickets to the Cannes Vanity Fair party for £15,000. I was told that this had been found after disclosure and was highly relevant to the question of how the average consumer might regard the content of the Cornucopia website. I took the view that this was a document of some significance and given the lack of direct evidence of the impact of the website on consumers, it seemed to me that this was an exceptional reason to permit the Claimants to introduce this document to the trial bundle.f. Tabs 23-25 contained copies of some pages from the Cornucopia website which had not previously been disclosed by the Claimants. The Defendants had not thought fit to disclose any website pages at all. Plainly these were relevant to the matters I would have to decide but given that other similar pages were already included in the trial bundles, it did not seem to me that there was any exceptional reason to add them at this late stage.[25]Both Mr Barclay, counsel for the Claimants, and Mr Vohra provided me with written submissions. I was grateful to both of them, but particularly grateful to Mr Barclay for the very full submissions which he made, with a view to being helpful to the Defendants who were conducting the trial without professional help.

Witnesses

[26]The Claimants called three witnesses. First, I heard from Ms Maisie Briggs, who has since 2024 been the Second Claimant’s in-house brand protection and IP counsel. She gave evidence of the reputation that the Claimants enjoy in the Vanity Fair and GQ Marks and her awareness of the Defendant’s activities. Then I heard evidence from Ms Sara Marks, Director of Special Projects at Vanity Fair, who is responsible for Vanity Fair events globally, including the Oscars and Cannes parties. Lastly, I heard from Ms Charlotte Jukes, who has been a senior events manager at the Second Claimant for seven years and is responsible for producing the GQ Men of the Year Dinner and party in the UK. Ms Marks and Ms Jukes explained the process for issuing invitations to those Events and described various security measures used to ensure that no unauthorised person attends the Events.[27]All three of the Claimants’ witnesses were clear and convincing and, in my view, wholly reliable. They did their best to answer Mr Vohra’s questions, whilst accepting the limits of their own personal knowledge of the matters in dispute, and there was no real challenge to their evidence nor any suggestion that they were anything but wholly honest.[28]Mr Vohra was the sole witness for the Defendants. I did not find him to be a good witness. I comment on some particular aspects of his evidence below, but I formed the clear view that he had come to court with rehearsed statements to make, rather than to answer questions directly. Indeed, counsel spotted that he was reading from his mobile telephone in the witness box, when purporting to answer a question from counsel, and he accepted that he was relying on a note on his phone. Despite putting the phone away, he continued to answer many questions in what appeared to me to be a formulaic way, making rather repetitive points in the nature of submissions rather than giving evidence of the facts known to him. Often, he made no proper attempt to answer the questions put to him. It appeared to me that Mr Vohra argued quite unnecessarily with counsel over terminology, such as the meaning of the word “allocate,” and gave a great deal of completely irrelevant detail about Cornucopia’s business in his efforts not to answer questions put to him. He failed to explain the change of case between the original exhaustion line of defence and the denial that any tickets had been sold at all other than by claiming that when the original Defences had been filed he did not think that Cornucopia had sold any tickets to the Events. He did not explain that properly, but said the amendments were needed to “update” the Defence. I found that an extremely unsatisfactory explanation.[29]Mr Vohra also tended to try to deflect questions by challenging or criticising counsel. When he did answer questions directly, in some cases he contradicted himself. For example, he was asked whether a particular page on the Cornucopia website contained an offer to sell a ticket to the GQ Man of the Year party in LA in 2025. Initially he said yes, and then sought to explain in detail why a ticket could not be bought immediately (that explanation was apparently what he was reading from his phone). When asked the question again, he denied that it was an offer to sell a ticket. Mr Vohra complained of being tired but refused the opportunity to have a break in giving his evidence. Even making allowance for his possible fatigue, having carefully observed Mr Vohra and considered his evidence, I have concluded that I should treat all of his evidence with great caution.

The facts

[30]I have already described the Claimants’ business, which so far as is relevant to these proceedings falls into two parts: the publishing business, both in print and online, and the organisation of annual events under the Vanity Fair and GQ names. The Claimants’ case was that the First Claimant is an internationally renowned magazine publisher, which publishes, in print and online, a range of highly popular magazines that include the well-known brand names “VANITY FAIR” and “GQ.” Vanity Fair is a long-standing entertainment magazine covering popular culture, fashion and current affairs. It was launched in the UK in 1991. In connection with that magazine, the First Claimant organises and hosts the annual Vanity Fair Cannes Party and the Vanity Fair Oscars Party, both of which are exclusive, invitation-only events that include private guests, such as well-known celebrities and actors. GQ magazine was launched in the UK in 1988 and the Second Claimant organises and hosts the annual GQ Men of the Year Awards, a well-established awards event, and the GQ Men of the Year Party. Both are invitation-only events attended by people in the entertainment, sport and fashion industries.[31]It was the Claimants’ case that these publishing activities and events are well-known and have a substantial reputation in the UK and a goodwill in both the Vanity Fair and GQ brands. They pleaded that the Marks are inherently highly distinctive and have acquired enhanced distinctiveness by the use made of them in the UK, as well as having a reputation sufficient to found proceedings under section 10(3) of the Act. Ms Briggs provided circulation and reader figures, and followers on the various Condé Nast media channels. She also provided evidence of UK press coverage of the MOTY and Vanity Fair events. None of that evidence was challenged by the Defendants. On the contrary, Mr Vohra accepted in cross-examination that GQ and Vanity Fair have a reputation and host prestigious events. He also accepted that he had been aware of those facts when Cornucopia Events first offered tickets to the Events in 2019.[32]The Defendant admitted some of the preliminary paragraphs of the Particulars of Claim “insofar as they accurately describe the Claimants and their trade marks” and merely “noted” others, whilst admitting that GQ and Vanity Fair are well-known magazine brands. Later paragraphs of the Amended Defence denied various of the Claimants’ more specific claims to reputation and goodwill, without setting out any positive case on which to base the denials, or to challenge or circumscribe any of these points. I consider that not only is the scope of the Defendants' admissions unclear, but their denials are unsupported by any contrary evidence, in breach of CPR 16.5(2). Moreover, as I have noted above, Mr Vohra sensibly admitted the Claimants' reputation in cross-examination.[33]The Claimants also pleaded that attendance at the Vanity Fair and GQ events was by invitation only so that there were no permitted ticket sales by third parties or public applications. They pleaded that the exclusivity of the Events would be readily determinable by the general public and certainly would be known to the Defendants. That claim was denied by the Defendants in the Amended Defence but again no reason was given for that denial. Ms Marks and Ms Jukes gave unchallenged evidence about the invitation process and security around the various Events. For instance, Ms Marks explained that invitations to the Vanity Fair events are sent out to invited guests, together with parking passes and admission cards which have security features so that they cannot be used by a third party. She also explained that security personnel at the event would have access to the confirmed guest list as well as photographs of the guests so that they could ensure that only authorised guests attend. The only exceptions to this were for a limited number of invitations made available at auction each year in support of charitable causes, but the winning bidders would be identified in the same way so that the tickets remained non-transferable. No Vanity Fair party tickets were offered for sale. Very similar evidence was given by Ms Jukes in relation to the GQ events. She added that sometimes a request would be received from an agent or publicist soliciting an invitation to an event, which would be assessed on a case-by-case basis and, if accepted, would lead to the issue of an invitation in the standard way. Ms Jukes said that no tickets are sold for GQ MOTY. In the past, clients or sponsors had been permitted to purchase tables at selected events, but that has not been the case since 2022. It was clear from Mr Vohra’s evidence that he was well aware of the exclusivity of the Events and the difficulty of obtaining an invitation to them.[34]The Claimants said that the Cornucopia website had advertised tickets for sale to all of the Events from the GQ Men of the Year Awards in September 2019 onwards. The evidence before me included a number of pages from the Cornucopia website and its social media posts which mentioned the Events. For instance, some Cornucopia website pages were annexed to the Particulars of Claim, such as the page in Annex B to this judgment from the Cornucopia website in January 2025, referring to the GQ Men of the Year Awards event in November 2025. Other pages are also reproduced in Annex B.[35]These pages are illustrated with photographs taken at the Claimants’ Events. The Claimants pointed to the use of the Marks on these pages, both in the background photographs of previous events and in the narrative. They also drew my attention to the wording of these pages, with their references to tickets and ticket prices, and the contact details given, including for example the specific email address GQMenoftheYear@cornucopia-events.co.uk. Each page also invites the reader to contact Mr Vohra and his team, giving 2 phone numbers, one of which was Mr Vohra’s own UK mobile phone number. They also pointed to the wording on the page (in Annex B) relating to the GQ Men of the Year Party in LA in November 2025:
“At GQ’s Men of the Year party…(people)…convene for our annual party… Last year in Los Angeles, GQ celebrated our 28th annual Men of the Year issue.”
(emphasis added)[36]There were pages in evidence giving details of the GQ MOTY Awards in 2019, 2021, 2022 and 2024. These were in almost identical form. The wording for 2021 included:
“The GQ Men Of The Year Awards in association with Hugo Boss will return for its 24th year. Coming together under one roof, the night promises to be one of the most glamorous events on the calendar …”
It gave a description of the previous year’s guests and details of the chef, meal and cocktails served, and went on:
“Ticket Package • Champagne and canape reception • 3 course dinner • Awards presentation • Official After Party Individual tickets £5,999 Tables£55,000 (10 person capacity)”
There was an almost identical page for the same event in November 2024, by which time the individual tickets were priced at £12,999, although the table price remained the same. Oddly, the page for the 2019 Event had priced individual tickets at £7,500 and tables at £45,000. Individual tickets £5,999 Tables£55,000 (10 person capacity)”

Individual tickets £5,999

[37]As to the pages in Annex B relating to the Vanity Fair Cannes Party 2025, the Claimants drew attention to the wording:
“Cornucopia is able to offer tickets to this amazing star-studded party that takes place during the Cannes Film Festival. Tickets Available Ticket: £15000 per person All prices are per person and subject to VAT For more information email CannesVanityFair@cornucopia-events.co.uk or call Mini Vohra and the Cornucopia Events™ team on +44 (0)871 288 3965 or +44 (0)7863 240 513”
This reflected another page which advertised a list of Cannes parties, saying “Cornucopia EventsTM gives you exclusive access to all the best restaurants, parties, hotels and premieres during the festival …” Beneath that statement was a list of 14 parties, including the Vanity Fair Party, which were then individually listed with the prices for tickets. Tickets Available Ticket: £15000 per person

All prices are per person and subject to VAT

[38]Similarly, on another page of the Cornucopia website from 2025, extracts of which are at Annex B, the Defendants set out thumbnails for a host of events such as parties, concerts, and fashion shows, under the heading “Cornucopia Events is offering these Exclusive Experiences.” These include Vanity Fair and GQ events. Under each thumbnail there is set out the date of the event and “Buy Tickets” with a price guide, so for instance for the Cannes Vanity Fair Party 2025 it said, “Buy Tickets from £15,000.”[39]The Claimants also complained of posts on the First Defendant’s social media pages. For instance, in May 2023 this was posted on its Instagram: A similar post about the Cannes 2023 party on Facebook said, in similar terms, “Vanity Fair hosts some of the most prominent celebrities … and we consider it as one of the must-attend events in our international calendar.”[40]The post below on the First Defendant’s Instagram captured in September 2024:[41]In another Facebook page relating to the Vanity Fair “legendary” Oscars After Party in March 2023, the First Defendant mentioned that it has (according to the NYT) “for two decades been the hottest ticket in Hollywood on Oscars night.”[42]The Claimants also complained of the Defendants’ responses to inquiries as to whether they could provide access to the Claimant’s events. Only two such inquiries were in evidence. The first related to an enquiry sent on 4 March 2024 by an agent acting for the Claimants to the email address contact@cornucopia-events.co.uk, essentially as a trap purchase. The agent, “George Wilde,” said that he had seen the Cornucopia website and had clients interested in a variety of events, including film premieres and the Cannes Film Festival. He said “In relation to [the Cannes Film Festival], you also show availability for tickets to the Vanity Fair after show event and I wondered if that is still the case? … I would be seeking 4 tickets … I also note you had tickets for last years [sic] GQ Awards night and wondered if you will do this year as my clients haven’t been able to attend this event for a number of years and would be keen to do so again …” On the same day, Mr Vohra sent an email in response to this inquiry from his own Cornucopia email address. He did not explain the basis on which Cornucopia Events would be able to obtain tickets for the agent’s clients, but simply invited the agent to contact him on WhatsApp to go through everything. He appended a “schedule of THE 80 BEST Private Experiences for the coming 12 months.” All of the events were listed with a ticket price or minimum ticket price, and they included:a. The “Vanity Fair Oscars Academy Awards Party, Los Angeles, USA”, with “Tickets from £39,999 plus VAT”;b. The “Vanity Fair Cannes Party - Cannes, France” with “Tickets from £15000 plus VAT”;c. The “GQ Men of the Year Awards, London, UK” with “Tickets from £12,999 plus VAT”; andd. The “GQ Men of the Year Party - Los Angeles, USA” with “Tickets from £4999 plus VAT”.[43]The agent responded on 5 March, saying he would be in touch on WhatsApp, but asked where tickets would be collected. Mr Vohra replied with some unsolicited business advice and explained, “All invitations to invitation only events are only released on average two working days before the event, and this is to reduce the risk of passing off.” The correspondence ceased at that point.[44]The second inquiry was disclosed by the Defendants and appears to show a genuine inquiry from a lady called Kelsey Anderson, who described herself as an assistant to Eman Nafisa, who I was told was a celebrity brand manager. On 29 October 2025 she emailed GQ@cornucopia-events.co.uk asking “Do you have tickets for the GQ Men of the Year in Los Angeles and if so, what is the pricing?” Mr Vohra replied the next day from his ownemail address, providing what he said in evidence was a standard response to such inquiries:
“All GQ Men of the Year Lost Angeles tickets start from £4999 GBP plus VAT each for members and £5999 GBP plus VAT for non-members. Is that within budget? If it is, so that we can start to allocate invitations, and as we need a member profile on each client, please provide the following info: 1. Full name 2. Address 3. Contact number 4. Year of birth 5. Occupation … 6. Annual income (relevant for your member profile when we submit your name for an invitation … We can then send you details of this invitation only event. ... As a reminder, the Cornucopia Group is one of the World’s leading event services companies and is also the world’s largest provider of exclusive access to invitation-only events…”
No further correspondence with this lady was disclosed by the Defendants.[45]Ms Briggs drew attention in her witness statement to two Google reviews apparently posted by clients of Cornucopia Events, thanking them for getting them access to Events. For instance, a Mr Rais posted “Cornucopia Events helped me get into the most unique and spectacular event during the Cannes Film Festival, the Vanity Party… I will for sure continue using Cornucopia for 2024 Cannes Film Festival in May.” The other review was from someone who had attended the Vanity Fair Oscar Party with his wife. These certainly suggest that some tickets had, in fact, been provided to the Events by Cornucopia, contrary to the Defendants’ case run at trial, but the documents were not put to Mr Vohra, and I cannot take the point further.

Evidence of actual confusion

[46]There was little evidence of actual confusion before the Court. Ms Marks gave evidence that in 2022 and again in 2023 she had been informed by the hotel at which the Vanity Fair Cannes Event is held that some of its guests had considered approaching Cornucopia to obtain an invitation to the Event. The hotel described Cornucopia as an agency and included a link to the relevant page of the Cornucopia website advertising tickets for the Event. Ms Marks responded that this was an invitation only event. Ms Jukes gave evidence that she had received queries from genuine guests of the GQMOTY Events who had picked up incorrect details of the location of the event from the Cornucopia website. In both cases, the evidence is so indirect that it is not possible to tell whether any guests were confused and, if so, why.[47]There was in addition the approach by Ms Anderson, which showed her belief at least that the Defendants could provide her with tickets to a GQ Event. One cannot, however, tell from her brief email why she thought that was the case.[48]The Claimants’ supplemental documents contained a short article from a website called Roger Friedman's Showbiz411 dated 10 May 2024. The headline was:
“Celebs pay attention: Euro party broker selling tickets to Vanity Fair's Cannes party for $18,786
Mr Friedman wrote: “I often wonder if celebrities wonder who they’re partying with at galas. They should pay attention to this: Cornucopia Events is selling ticket [sic] the Cannes Vanity Fair party for 15,000 UK sterling. Or $18,786. So is the Vanity Fair shindig exclusive? Not exactly. If you've got the cash, you're in. Vanity Fair will deny this occurs, but Cornucopia and other party promoters have been running this fame [sic] for years. Does Vanity Fair get a kickback? Someone does, that's for sure. It all makes sense. There are only so many celebs in Cannes. Real filmmakers and industry people, particularly press, aren't invited. The magazine needs a crowd of some kind to make the stars feel good. So what can you but entertain a broad audience?" Trade mark infringement Enhanced distinctive character/reputation[49]I have discussed at paragraph 31 above the facts relevant to whether the Marks have enhanced distinctive character or a reputation for the purposes of the Trade Marks Act 1994. In my judgment the Vanity Fair Marks and the GQ Men of the Year Mark are inherently distinctive to a high degree, whilst the GQ marks are inherently distinctive to an average degree. In my view, in the light of the matters I have discussed, and the admissions made by the Defendants, the Marks all have enhanced distinctive character in relation to certain of the goods and services relied upon for the purposes of the proceedings. The wording differs slightly between the various specifications, but the goods and services which in my view have enhanced distinctive character can I think be summarised as follows: printed matter, in particular periodicals; downloadable magazines and publications in electronically readable form; organising or conducting award ceremonies for entertainment purposes or competitions; ticketing and event booking services. The Claimant’s Events of course involve the provision of food and drink, but there was no evidence before me of the provision of catering services other than as part of the Events. Hence, I am not persuaded that the evidence proved enhanced distinctiveness in relation to the services of providing food and drink. Nor would it be right to find enhanced distinctiveness across the board for the broad category of entertainment. Rather similarly, in the light of the evidence before me I am not persuaded that it would be right to say that the Claimants have provided wider entertainment ticket agency services sufficient to claim enhanced distinctiveness in such services.[50]The test for reputation for section 10(3) was described by Arnold J in Enterprise v Europcar [2015] EWHC 17(Ch); [2015] FSR 22 at [120] as “not a particularly onerous requirement”. The law was set out by HHJ Hacon in Burgerista Operations v Burgista Bros Ltd [2018] EWHC 35 (IPEC); [2018] ETMR 16 in relation to an EU trade mark, but the same points of principle apply here. HHJ Hacon set out the law at paragraphs [61]-[69] and summarised the principles as:
“(1) An EU trade mark has a reputation within the meaning of art.9(2)(c) if it was known to a significant part of the relevant public at the relevant date. (2) The relevant public are those concerned by the products or services covered by the trade mark. (3) The relevant date is the date on which the defendant first started to use the accused sign. (4) From a geographical perspective, the trade mark must have been known in a substantial part of the EU at the relevant date. (5) There is no fixed percentage threshold which can be used to assess what constitutes a significant part of the public; it is proportion rather than absolute numbers that matters. (6) Reputation constitutes a knowledge threshold, to be assessed according to a combination of geographical and economic criteria. (7) All relevant facts are to be taken into consideration when making the assessment, in particular the market share held by the trade mark, the intensity, geographical extent and duration of its use, and the size of the investment made by undertaking in promoting it. (8) The market for the goods or services in question, and from this the identity of the relevant public, ought to assume a paramount role in the assessment. (9) …”
[51]The evidence before me, in particular the evidence of Ms Briggs, leads me to conclude that even without evidence as to market share it is right to find that the Marks have a reputation in relation to all of the goods/services for which I have found them to have an enhanced distinctive character: printed matter, in particular periodicals; downloadable magazines and publications in electronically readable form; organising or conducting award ceremonies for entertainment purposes or competitions; and ticketing and event booking services.

Average consumer

[52]Mr Barclay also addressed me in his written submissions on the identity of the average consumer of the First Defendant’s services. The characteristics and role of the average consumer (a legal construct) were summarised by Arnold LJ in Lidl Great Britain Limited v Tesco Stores Limited [2024] EWCA Civ 262; [2024] FSR 17 at [16]-[20], reinforced in Morley's (Fast Foods) Ltd v Nanthakumar [2025] EWCA Civ 186; [2025] E.T.M.R. 26. The average consumer includes “any class of consumer to whom the guarantee of origin is directed and who would be likely to rely on it, for example in making a decision to buy or use the goods”: London Taxi Corpn Ltd v Frazer-Nash Research Ltd [2017] EWCA Civ 1729; [2018] FSR 7 per Floyd LJ, at [34].[53]As Arnold LJ said in Morley’s at [18]:
“The purpose of the exercise … is to assess how the average consumer would select the relevant goods and services and the level of attention which would be paid by the average consumer.”
[54]The Claimants submitted that the consumers to whom Cornucopia’s use of the signs is directed are members of the public who are engaged with popular culture, use the internet and are willing to spend not insignificant sums on a night out. That seems a fair assessment of the Defendants’ target audience, given the content of the website which I have mentioned above, and numerous other similar pages from the website which were in evidence. Hence, at least one category of average consumer of the First Defendant’s services would be someone seeking, broadly speaking, access or ticketing services to awards ceremonies and red-carpet parties. Mr Barclay submitted that at least a significant proportion of that category of average consumer would be aware of the Marks and be familiar with the Vanity Fair Oscars and Cannes parties and the GQ Men of the Year parties. That seems to me to be correct, given the lengthy use of the Marks in the UK and my findings as to enhanced distinctiveness and reputation. He also submitted that such consumers would know that those events are invitation-only, exclusive parties attended by celebrities. I am not persuaded that the evidence before me went that far. Indeed, Ms Jukes gave evidence that in the past it had been possible at least for clients and sponsors (though not, apparently, members of the public at large) to purchase tables at selected GQ events. Ms Marks also described the rather limited availability of tickets for Vanity Fair events to the successful bidders in a charity auction. In the circumstances, I accept that the average consumer would know that the Events are attended by celebrities, but I do not consider that they would necessarily also appreciate that such events are invitation-only, or exclusive events; many such consumers might think that tickets for such events are available to anyone who can afford the ticket price or who makes a successful bid for a ticket at auction. I find support for that conclusion in the approach made to Cornucopia by Ms Anderson, and in a similar approach made by someone described as a “membership executive” from Amex to the Hotel du Cap-Eden-Roc asking whether tickets could be purchased for a client for the Cannes Vanity Fair Party. In both cases, it seems that those inquiring assumed that tickets would be available for the Event, at a price.

Sections 10(1) and 10(2)

[55]Trade mark infringement contrary to s 10(1) occurs where the defendant makes unauthorised use, in the course of trade, of a sign which is identical to the mark, for goods/services for which the mark is registered. This is broken down into six elements (see e.g. Lifestyle Equities CV v Amazon UK Services Ltd [2024] UKSC 8; [2024] FSR 21 at [39]) i. There must be use of a sign by a third party in the UK. ii. The use must be in the course of trade. iii. It must be without the consent of the proprietor of the trade mark. iv. The use must be of a sign that is identical to the trade mark. v. It must be in relation to identical goods or services. vi. It must affect or be liable to affect the functions of the trade mark, in particular its essential function of guaranteeing to consumers the origin of the goods or services.[56]Very similarly, in order to establish infringement under section 10(2) of the Act, six conditions must be satisfied. The first three are identical to those for s 10(1), but then: (iv) the use must be of a sign which is at least similar to the trade mark; (v) it must be in relation to goods or services which are at least similar to those for which the trade mark is registered; and (vi) it must give rise to a likelihood of confusion on the part of the public.[57]The Defendants did not dispute that each of conditions (i)-(iv) were met here. They submitted that condition (vi) was not met for s 10(1) and for completeness I will deal with s 10(2) as if the same objections were raised to that allegation of infringement. However, before considering that argument, I do need to consider condition (v), that is whether the Defendants’ use of the identical signs was made in relation to any goods or services identical (or similar) to those for which any of the Marks are registered. Whilst Mr Vohra did not address the point in these terms, it seems to me that this question formed part of his overall submissions in which he denied that the Defendants had infringed the Claimants’ Marks.[58]There were two elements of the Defendants’ submissions which appear to me to relate to condition (v). First, Mr Vohra submitted that the First Defendant was not offering any goods or services under or by reference to the Marks. He submitted that the webpages and social media uses of the Marks were purely “informational.” In his written submissions he said they had made “lawful descriptive reference identifying subject matter relevant to the Defendants’ concierge advisory services.” This reflected paragraphs 5 and 6 of the Amended Defence and in particular the reference in paragraph 5 to “providing general information about high-profile invitation-only occasions that form part of the global luxury-events landscape to which clients often aspire.” He did qualify that position slightly in cross-examination, when asked whether it was his case that in the First Defendant's communications with the public they do not offer to sell invitations or tickets to the Events but only general information on exclusive access, replying "Not exactly. So, it is not possible for us to sell access to Vanity Fair or GQ because they are not commercially available invitations…. Invitations need to be applied for directly to those brands. And our company will assist clients making applications to invitation only events by way of sort of supporting and enhancing their application. It is then down to the individual brand to approve them. We cannot guarantee access in exchange for a fee."[59]I cannot accept the submission that the webpages and social media posts were merely “informational” in the sense that they just told the public about events which may be attended by celebrities, for instance in the manner of editorial coverage in a magazine. In my judgment it is plain that these documents were and were always intended to be transactional. The Defendants’ use of the Marks was made in the context of what were in substance advertisements for the First Defendant’s services. Its webpages and social media posts positioned the First Defendant as “the world’s largest provider of exclusive access to invitation only events,” and said, “Cornucopia Events is offering these Exclusive Experiences.” (emphasis added). The specific wording of the webpages and posts invited consumers to approach the First Defendant if they wanted to acquire a ticket for an Event and gave minimum or specific ticket prices. The references in the posts mentioned at paragraph 39 above to “must-attend” events would, in my view, lead a consumer to assume that they could attend, because Cornucopia could obtain access for them to the Event. Moreover, the website advertisements appeared amongst a variety of other advertisements for other supposedly exclusive events or experiences (see for instance the last example in Annex B). In my judgment, such references to the exclusivity of the Events or the Events being invitation-only events were intended to make the Events appear more upmarket and desirable. They were certainly not intended to indicate that the First Defendant could not actually provide the tickets, and there was no explanation in the advertisements that it could only offer to try to obtain tickets for a client.[60]All of the elements of the First Defendant’s advertising discussed above persuade me that the average consumer would be led to believe that the First Defendant could – at a price - provide access to the Events. Indeed, I am persuaded that this was exactly what the Defendants wished consumers to believe. They were seeking to attract custom for the First Defendant, whether directly by providing services in relation to those Events, or by using the references to the Events to tempt potential clients to get in touch with the Defendants, perhaps with a view to offering tickets to another event or other services - what Mr Barclay described as a “bait and switch.” Mr Vohra was cross-examined about the frequent use on the Cornucopia website of the expression "the world's largest provider of exclusive access to invitation-only events." He accepted that the company made repeated use of that phrase. Mr Barclay suggested to him that it was used because the Defendants "want customers to believe that you provide or supply exclusive access to invitation-only events" and Mr Vohra accepted that this was the case.[61]Mr Vohra claimed that it was “abundantly clear” from the First Defendant’s advertising that it did not have invitations to issue for the Events. I cannot accept that submission. In my judgment all of the uses which I have described above would, on the contrary, have appeared to the average consumer to indicate that the First Defendant was offering to sell tickets to the various events, whether the Claimants’ Events or the numerous other events on offer. Not only is that the natural reading of those documents but there was no credible explanation as to why, had the pages been purely informational, those pages/posts set out “ticket” prices or invited consumers to contact Mr Vohra or his team about the events, or why posts referred to “must-attend” Events. Moreover, the website pages and social media posts were (as Mr Vohra admitted) available to the general public, not simply to people who understood that the First Defendant provides “concierge services,” such as people who had paid a fee for membership of the First Defendant’s concierge services. Indeed, as I have already noted, in cross-examination Mr Vohra initially accepted that one of the webpages in issue made an offer to sell tickets, although he then sought to row back on that admission by saying that no ticket would have been immediately available. His initial admission seems to me to have been the truthful response: these documents show the First Defendant offering to sell tickets giving access to the Events, as did his response to Ms Anderson’s inquiry. Similarly, when asked about the invitation on Instagram shown at paragraph 40 above, Mr Vohra agreed that this looked like an official invitation to the Event, and added that he believed that it would have been sent to the Defendants by a contact at Vanity Fair, suggesting that it was a genuine invitation. He accepted that a member of the public seeing such an invitation would think that the Defendants had a connection to Vanity Fair.[62]The second element of Mr Vohra’s argument about the services on offer from the Defendants was to seek to draw a distinction between being in a position simply to sell a ticket to a customer, and the position which he said applied in the case of all of the Events. He accepted that the First Defendant did not hold a stock of tickets or have direct access to a supply of tickets, but would have had to apply to the Claimants for tickets for named clients, in the hope of negotiating access for the client. Mr Vohra said the price quoted was not a ticket price, but the fee which would be charged by the First Defendant for its services of negotiating access to an Event for a client. These were “concierge services,” not ticket sales services. However, he accepted in cross-examination that some people reading a webpage offering a ticket for an Event, and quoting a price of say £12,999 plus VAT, would think that it was an offer to sell different types of tickets and also accepted that there might be a distinction between what an average member of the public would think and what a specialist concierge might think.[63]Mr Vohra accepted that the Defendants wanted members of the public to get in touch with them and claimed that they would explain to them that these are invitation-only events, with an application process, and that they would help them with their application and their biography. The Defendants would then seek to build ancillary services around that, such as private jet transfers, ground transportation, hotels and other concierge services. He pointed to his email to Ms Anderson in October 2025 in which he gave her a list of information which would be needed in relation to each client. That, he said, indicated the way in which the business works, by collating the information necessary to persuade an event organiser to give the First Defendant’s client access to an Event. He claimed that there would always be a conversation with a client who approached the Defendants for this sort of ticket, in which the true nature of the arrangements would be made plain, although I am not clear whether he meant that it would be explained that the price quoted was not a ticket price but a fee for Cornucopia’s services.[64]The admission in the original Defence that Cornucopia Events had legitimately provided tickets to the Events was, as I have said, withdrawn in the Amended Defence. The Defendants’ position at trial was that they have never sold a single ticket to an Event, or negotiated access to an Event for a client. This (as well as the Defendants’ stated approach to deleting documents relating to inquiries) may explain why there is a paucity of disclosure of documents showing interactions between the Defendants and potential clients seeking access to the Events, although it does lead me to wonder why the Defendants felt it worthwhile continuing to advertise the Events for such a lengthy period, and, indeed, continued to do so after the proceedings were issued. Leaving that aside, in the light of the two email chains which were before the Court and which I have described at paragraphs 42-44 above, I do not accept Mr Vohra’s evidence as to how the First Defendant’s role would be portrayed to a customer who had responded to an advertisement on the website or social media. Nothing in his emails to “George Wilde” or Ms Anderson sought to explain, even in broad terms, that the Defendants could not issue a ticket but could offer only to negotiate with those in charge of an Event in order to gain access to it for a client. Nor did anything in his emails indicate that the supposed ticket price was a fee for Cornucopia’s services, rather than a ticket price for these Events.[65]Mr Vohra accepted in cross-examination that by quoting a price to Ms Anderson he was making an offer for sale rather than just offering information. Furthermore, in his email to Ms Anderson, Mr Vohra asked for information about the proposed attendees “so that we can start to allocate invitations.” In my judgment that wording reinforced the wording used in the advertisements, by suggesting that the Defendants had invitations (or tickets) which it was within their power to allocate, especially as the email went on to reiterate that “the Cornucopia Group is one of the World's leading event services companies and is also the world's largest provider of exclusive access to invitation-only events.” There was nothing in his response to the two inquiries to dispel the impression given by the advertisements.[66]This leads on to the question of the goods or services in relation to which the Defendants have used signs identical to the Marks. The Claimants had not clearly identified which of its goods and services they said were identical and which only similar to the goods/services in relation to which the Defendants were using signs identical to the Marks. Mr Barclay dealt with this in closing, and I have carefully considered the points he made as well as Mr Vohra’s response to them.[67]In my judgment, Cornucopia was using signs identical to the Marks in relation to the Events themselves. That use was a sub-set of and therefore identical to the services of entertainment and providing of food and drink in the ‘239 Mark VANITY FAIR. In closing, in the face of some scepticism from the Bench, Mr Barclay accepted that the Defendants’ use was not identical to organising, conducting and providing facilities for ceremonies and events, and for competitions and awards, in the ‘576 Mark GQ MEN OF THE YEAR. On reflection, I think that such services were in fact identical to the services for which the Defendants were using the mark, but in any event there can be no doubt that Mr Barclay was justified in saying that the services were highly similar, a point I develop below.[68]The Claimants submitted that the Defendants were using the identical marks in relation to the various ticket agency services in its specifications. Mr Vohra sought to refute this by drawing a distinction between such services and “concierge services.” There was no evidence before me other than that provided by Mr Vohra himself as to the meaning of that term. For the reasons I have explained above, I consider it appropriate to treat his evidence with some caution. Nevertheless, I think that in general parlance someone offering concierge services would be expected to recommend and make restaurant or event bookings, source tickets for concerts or events, or make transport arrangements. The Cornucopia website as a whole certainly does offer services of that nature. In his written submissions, Mr Vohra described the Defendants as offering “ticket facilitation services in circumstances where access to events remained entirely controlled by the organisers.” Those may be the kind of services offered by a concierge, but in my judgment it does not prevent them from being a form of ticketing service, in the nature of those services offered by a ticket agency. The advertisements in issue would be understood by the average member of the public (whether or not they saw the First Defendant as a concierge business) as indicating that the First Defendant was offering to enable clients to attend the Events, by helping them to obtain access or a ticket. Whilst the First Defendant might be unable to provide a ticket instantly, it would still be providing services which would lead to the provision of a ticket or making a booking for an Event.[69]I conclude that the services offered by the Defendants were identical to “arranging for ticket reservations for shows and other entertainment events” and “ticketing and event booking services” in the specifications of the ‘946 Mark VANITY FAIR and the ‘890 Mark for GQ. However, those ticketing etc services were, in my view, and as the Defendants claimed, provided under the Cornucopia name. It does not seem to me that the Marks were used in relation to services identical to ticketing services.[70]I consider below in relation to s 10(2) the question of whether any services were offered which are similar to those in the specifications relied upon.[71]The main point made by Mr Vohra on the Defendants’ behalf in relation to section 10(1) related to condition (vi). He said, quite rightly, that the Claimants need to show an impact on the origin function of the Marks from the Defendants’ activities, although he accepted that it was not necessary to show that sales had resulted from them. That point is certainly correct in the light of the decision of the Supreme Court in Iconix Luxembourg Holdings SARL v Dream Pairs Europe Inc [2025] UKSC 25 especially at [86]-[92] where the Court pointed to the inclusion in s 10(4) of uses of a sign which may infringe despite being remote from the point of sale, such as in advertisements.[72]The origin function was described by Lord Kitchin in SkyKick UK Ltd and another v Sky Ltd and others [2024] UKSC 36, [2025] Bus LR 251 at [54]:
“the essential function of a trade mark is, in particular, to guarantee the identity of the origin of the goods or services in relation to which it is used. In more colloquial terms, it is a badge of origin and its purpose is to permit the consumer, without any possibility of confusion, to distinguish the goods or services of one undertaking from those of another. At least in general, it can only fulfil that purpose if its owner uses it.”
[73]The Defendants argued that as there had been no sales, there could have been no damage to the origin function. I do not agree. If it is possible to infringe solely by using a mark in an advertisement (as confirmed by the Supreme Court in Iconix), it is unnecessary to show that sales were made by reason of the Defendants’ infringing advertisements. What relief should be granted may, of course, be another matter.[74]Mr Vohra’s point about a lack of impact on the origin function was tied in with his arguments about the use of the Marks being purely informative. He referred me to Case 63/97, BMW v Deenik EU:C:1999:82, [1999] ETMR 339. In that case, Mr Deenik ran a garage business in which he sold second-hand BMWs and repaired and serviced BMW cars. He was not an authorised BMW agent. BMW complained of his use in advertisements of phrases such as “Repairs and maintenance of BMWs” and “Specialist in BMWs.” The CJEU grouped together its views on Articles 5-7 of the Directive, dealing with the rights conferred by a mark, the limits on those rights (reflected in the defences in s 11 of the Act) and the exhaustion of marks. It held:
“57. Article 7 is intended to reconcile the interests of trade mark protection and those of free movement of goods within the Community by making the further commercialisation of a product bearing a trade mark possible and preventing opposition by the proprietor of the mark (see, to that effect, Parfums Christian Dior, paragraphs 37 and 38). Advertisements relating to car repair and maintenance do not affect further commercialisation of the goods in question. 58. Nonetheless, so far as those advertisements are concerned, it is still necessary to consider whether use of the trade mark may be legitimate in the light of the rule laid down in Article 6(1)(c) of the directive, that the proprietor may not prohibit a third party from using the trade mark to indicate the intended purpose of a product or service, in particular as accessories or spare parts, provided that the use is necessary to indicate that purpose and is in accordance with honest practices in industrial or commercial matters. 59. In that regard, as the United Kingdom Government has observed, the use of the trade mark to inform the public that the advertiser repairs and maintains trade marked goods must be held to constitute use indicating the intended purposes of the service within the meaning of Article 6(1)(c). Like the use of a trade mark intended to identify the vehicles which a non-original spare part will fit, the use in question is intended to identify the goods in respect of which the service is provided. 60. Furthermore, the use concerned must be held to be necessary to indicate the intended purpose of the service. It is sufficient to note, as the Advocate General did at point 54 of his Opinion, that if an independent trader carries out the maintenance and repair of BMW cars or is in fact a specialist in that field, that fact cannot in practice be communicated to his customers without using the BMW mark. 61. Lastly, the condition requiring use of the trade mark to be made in accordance with honest practices in industrial or commercial matters must be regarded as constituting in substance the expression of a duty to act fairly in relation to the legitimate interests of the trade mark owner, similar to that imposed on the reseller where he uses another's trade mark to advertise the resale of products covered by that mark.”
[75]BMW v Deenik was considered by the Court of Appeal in BMW v Technosport London Ltd [2017] EWCA Civ 779, [2017] FSR 35. The facts of the case were somewhat similar to those of BMW v Deenik as there had been use of various BMW marks by a BMW repairer in a variety of ways, some of which were held to infringe the marks. Floyd LJ noted at [7] that the “rolled up” defence put forward was that the Defendant’s use of the signs “did no more than accurately convey the message that TLL was a garage specialising in the maintenance and repair of BMW cars.” He commented on BMW v Deenik as follows:
“13 In Bayerische Motorenwerke AG v Deenik (C-63/97) EU:C:1999:82; [1999] E.T.M.R. 339, the Court of Justice was asked … whether advertisements such as “Repairs and maintenance of BMWs”, constituted infringement of a BMW trade mark under the corresponding provisions of Directive 89/104 to approximate the laws of the Member States relating to trade marks (“the Directive”). The court answered that question in the following way at [64]: “In the light of the foregoing, the answer to be given to the fourth and fifth questions must be that Articles 5 to 7 of the directive do not entitle the proprietor of a trade mark to prohibit a third party from using the mark for the purpose of informing the public that he carries out the repair and maintenance of goods covered by that trade mark and put on the market under that mark by the proprietor or with his consent, or that he has specialised or is a specialist in the sale or the repair and maintenance of such goods, unless the mark is used in a way that may create the impression that there is a commercial connection between the other undertaking and the trade mark proprietor, and in particular that the reseller’s business is affiliated to the trade mark proprietor’s distribution network or that there is a special relationship between the two undertakings.” 14 By treating arts 5–7 of the Directive as a group, that formulation elides considerations which arise under arts 9 and 12 of the Trade Mark Regulation. Perhaps it was for that reason that neither side took any objection to the way in which the judge formulated TLL’s defence, namely as whether TLL’s use of the signs “did no more than accurately convey the message that TLL was a garage specialising in the maintenance and repair of BMW cars.”
Another way of defining the issue would be to ask whether the use of Technosport BMW signs may create the impression that TLL’s BMW repairing service was affiliated to BMW’s network or that there is a special relationship between them. …” “In the light of the foregoing, the answer to be given to the fourth and fifth questions must be that Articles 5 to 7 of the directive do not entitle the proprietor of a trade mark to prohibit a third party from using the mark for the purpose of informing the public that he carries out the repair and maintenance of goods covered by that trade mark and put on the market under that mark by the proprietor or with his consent, or that he has specialised or is a specialist in the sale or the repair and maintenance of such goods, unless the mark is used in a way that may create the impression that there is a commercial connection between the other undertaking and the trade mark proprietor, and in particular that the reseller’s business is affiliated to the trade mark proprietor’s distribution network or that there is a special relationship between the two undertakings.”[76]Floyd LJ went on:
“18 I accept that one cannot start, in a case such as this, from the proposition that any use of the BMW Mark in the course of a business specialising in the repair of BMWs would be an infringement. Use of the mark is necessary and legitimate in order to explain to the public what the business in question actually does. Thus, by way of example, BMW rightly took no objection to the use by TLL of the slogan “The BMW specialists” on the facia of their old premises, separated from the name identifying the business, namely Technosport. Equally, one cannot start from the proposition that the use of BMW in relation to a motor car repairing service can never be an infringement. The mark is, after all, registered for that very service. The distinction is between uses which convey the true message “my business provides a service which repairs BMWs and/or uses genuine BMW spare parts” and those which convey the false message “my repairing service is commercially connected with BMW”
. Which of these messages is conveyed depends on a close consideration of the detail and context of the use. For convenience I call the former message “informative use” and the latter “misleading use”. 19 The burden of [33] of the judgment is that BMW had failed to prove that the average consumer’s perception of the incorporation of the word BMW into the trading style of TLL was misleading use, and that BMW ought to have called more evidence, probably including evidence from actual consumers, to show that this was the case. … 25 By focusing on the absence of evidence of particular kinds, it seems to me that the judge lost sight of the need to consider each of the uses in the context in which they occurred. Had he done so, I think that he would inevitably have had to come to the conclusion in relation to each of the uses that the use of the Technosport BMW signs was more than informative use and carried the risk that it would be understood as misleading use.”

BMWs would be an infringement. Use of the mark is necessary and legitimate in

[77]In order to decide whether the Defendants here have made legitimate informational use of the Marks or misleading use, it is necessary to give close consideration to the detail and context of the use. In the light of all the matters and documents which I have discussed already, in my judgment the manner in which the Defendants offered “tickets” for sale for the Events at the least carried a risk that it would be understood as misleading use. I go further, in my view, it would have led consumers to believe that they were being offered genuine tickets to the Events which were within the Defendants’ control, and that Cornucopia was in a position to assure them access to such exclusive events. That was misleading because the Defendants had no allocation of tickets to sell, nor any guarantee (or even likelihood) of being able to obtain a ticket for a client. The impression that they could provide such tickets would, in my judgment, have had an impact on the origin function. That view is the same as that of Mr Friedman where, in the article mentioned above, he suggests that the Claimants do sell tickets to the Cannes Vanity Fair Party, or that the Defendants or other promoters are able to do so.[78]The Defendants said, in substance, that the manner in which they use the Marks would not give the impression to the consumer that the Claimants have authorised its activities, that they were portrayed as authorised to issue tickets for the Events, or that there was some other special relationship between them. Mr Vohra submitted tickets are controlled by the organisers and Cornucopia’s use of the Marks was no more than informative and not misleading. I do not accept those submissions. First, as I have said, it seems to me that the advertisements give the misleading impression that the Defendants had tickets available to sell and certainly give no indication that tickets are solely within the control of the Claimants. The Claimants’ unchallenged evidence, accepted by Mr Vohra, was that no tickets are offered for sale. Where the Claimants are approached, they may on occasion issue an invitation, but they do not offer tickets for sale. That was clear from the evidence of Ms Marks and in, for example, her response to the request for tickets from Amex, sent via the Hotel du Cap-Eden-Roc. So, not only did the Defendants have no such tickets, but no such tickets exist. That is certainly not the impression given by any of the webpages or social media posts I have considered.[79]Further, it is my view that the First Defendant’s advertisements give a misleading impression that there is some special relationship between the Claimants and Cornucopia Events. That impression is given by the claims made on the Cornucopia website that it is in a position to obtain access to exclusive events, coupled with, for instance, describing Cornucopia as “the world’s largest provider of exclusive access to invitation-only events” and “one of the world’s leading event services companies;” using what look like official photographs of past Events and details of past events, such as of the catering provided; making references to the GQMOTY party as “our” annual party; using images of real or mock-up Event invitations; using event-specific email addresses (e.g. GQ@cornucopia-events.co.uk) for potential customers to contact them (akin to the “TechnosportBMW” Twitter account handle held to infringe in Technosport); and using apparent or actual Vanity Fair or GQ branding in photographs and posts. In particular, Mr Vohra agreed that the invitation on Instagram shown at paragraph 39 above looked like an official invitation to the Event, and he accepted that a member of the public seeing that invitation would think that the Defendants had a connection to Vanity Fair.[80]The overall impression given by the advertisements I have seen is that the First Defendant has some special status which would permit it to assure their clients access to the exclusive Events, by reason of some connection to the Claimants. All of this use falls, in my judgment, into the category of misleading use identified by Floyd LJ in Technosport and would have an impact on the origin function.[81]The Claimants submitted that even if the advertisements were not directly misleading, they are certainly vague, with the result that at least a significant proportion of consumers would not be able to determine whether or not there was an economic link between the Claimants and the First Defendant. I accept that if I am wrong about them being misleading, they are at least vague enough to carry the risk of having that effect, and that is sufficient to infringe in the light of [45] of Case C 323/09, Interflora Inc v Marks & Spencer plc [2011] E.C.R. I-8625, [2012] FSR 3.[82]In the circumstances, I do not consider it necessary to consider the Claimants’ arguments as to damage to the other functions of their Marks.[83]Section 10(2) of the Act provides: “A person infringes a registered trade mark if he uses in the course of trade a sign where because—(a) the sign is identical with the trade mark and is used in relation to goods or services similar to those for which the trade mark is registered, or(b) the sign is similar to the trade mark and is used in relation to goods or services identical with or similar to those for which the trade mark is registered, there exists a likelihood of confusion on the part of the public, which includes the likelihood of association with the trade mark.” (a) the sign is identical with the trade mark and is used in relation to goods or services similar to those for which the trade mark is registered, or (b) the sign is similar to the trade mark and is used in relation to goods or services identical with or similar to those for which the trade mark is registered,[84]I have already set out the six requirements for infringement pursuant to s 10(2) of the Act. My findings above cover all but two relevant points. First, the extent of any similarity between the services for which the Marks are registered and those in relation to which the Defendants are using the identical signs, and then the issue of a likelihood of confusion.[85]In assessing similarity between services it is well established that all the relevant factors relating to those services themselves should be taken into account although the overall test is whether the goods or services are sufficiently similar to give rise to a likelihood of confusion. Those factors include their nature, their intended purpose and their method of use and whether they are in competition with each other or are complementary. There is a standard list of factors taken from British Sugar plc v James Robertson & Sons Ltd [1996] RPC 281, which are: "(a) the uses of the respective goods or services; (b) the users of the respective goods or services; (c) the physical nature of the goods or acts of service; (d) the trade channels through which the goods or services reach the market; (e) in the case of self-serve consumer items, where in practice they are respectively found or likely to be found in supermarkets and in particular whether they are, or are likely to be, found on the same or different shelves; (f) the extent to which the respective goods or services are in competition with each other …”[86]In addition, goods or services may be similar because they are complementary. In Case T-169/03 Sergio Rossi SpA v Office for Harmonisation in the Internal Market (Trade Marks and Designs) [2005] ECR II-685 the General Court held at [60] that "complementary goods are goods which are closely connected in the sense that one is indispensable or important for the use of the other so that consumers may think that the same undertaking is responsible for the production of both goods". However, "it is neither necessary nor sufficient for a finding of similarity that the goods in question must be used together” (see Elliott'sTrade Mark Application [2014] RPC 13 at [20]).[87]There is a high level of similarity of services here. Given my finding that the Defendants were using signs identical to the Marks in relation to the Events themselves, it seems clear to me that such use was (if not identical) highly similar to entertainment and providing food and drink in the ‘239 Mark, and to organising, conducting and providing facilities for ceremonies and events, and for competitions and awards, in the ‘576 Mark GQ MEN OF THE YEAR. In addition, it seems to me that there is substantial similarity to the various ticketing services in the ‘946, ‘890 and ‘576 Marks, as the consumer would assume that tickets for the entertainment on offer would be likely to be supplied by the same source, and the process of supplying the tickets would be highly complementary to – and necessary to - the provision of the Event.[88]In undertaking a global assessment of a likelihood of confusion it is usual to consider a standard summary of the relevant principles. See for example Match Group LLC v Muzmatch Ltd [2023] EWCA Civ 454; [2023] Bus LR 1097 per Arnold LJ at [27]:
“(a) the likelihood of confusion must be appreciated globally, taking account of all relevant factors; (b) the matter must be judged through the eyes of the average consumer of the goods or services in question, who is deemed to be reasonably well informed and reasonably circumspect and observant, but who rarely has the chance to make direct comparisons between marks and must instead rely upon the imperfect picture of them he has kept in his mind, and whose attention varies according to the category of goods or services in question; (c) the average consumer normally perceives a mark as a whole and does not proceed to analyse its various details; (d) the visual, aural and conceptual similarities of the marks must normally be assessed by reference to the overall impressions created by the marks bearing in mind their distinctive and dominant components, but it is only when all other components of a complex mark are negligible that it is permissible to make the comparison solely on the basis of the dominant elements; (e) nevertheless, the overall impression conveyed to the public by a composite trade mark may, in certain circumstances, be dominated by one or more of its components; (f) and beyond the usual case, where the overall impression created by a mark depends heavily on the dominant features of the mark, it is quite possible that in a particular case an element corresponding to an earlier trade mark may retain an independent distinctive role in a composite mark, without necessarily constituting a dominant element of that mark; (g) a lesser degree of similarity between the goods or services may be offset by a greater degree of similarity between the marks, and vice versa; (h) there is a greater likelihood of confusion where the earlier mark has a highly distinctive character, either per se or because of the use that has been made of it; (i) mere association, in the strict sense that the later mark brings the earlier mark to mind, is not sufficient; (j) the reputation of a mark does not give grounds for presuming a likelihood of confusion simply because of a likelihood of association in the strict sense; and (k) if the association between the marks creates a risk that the public might believe that the respective goods or services come from the same or economically-linked undertakings, there is a likelihood of confusion.”
[89]In an infringement claim, the question of likelihood of confusion is to be assessed in the context in which the sign complained of has been used, see Specsavers v Asda Stores Ltd [2012] EWCA Civ 24; [2012] FSR 19 at [87]. In addition, as Arnold J said in Interflora v Marks & Spencer [2013] EWHC 1291 (Ch); [2013] FSR 33 at [224], the question of a likelihood of confusion:
“…is not a binary question: is the average consumer confused or is the average consumer not confused? Rather, it requires an assessment of whether it is likely that there is, or will be, confusion, applying the standard of perspicacity of the average consumer. It is clear from the case law that this does not mean likely in the sense of more probable than not. Rather, it means sufficiently likely to warrant the court's intervention. The fact that many consumers of whom the average consumer is representative would not be confused does not mean that the question whether there is a likelihood of confusion is to be answered in the negative if a significant number would be confused.”
[90]Confusion may be direct or indirect, which includes the risk of a mistaken belief that the goods or services offered by the defendant are connected with, licensed by or otherwise endorsed by the trade mark proprietor (see Liverpool Gin [2021] EWCA Civ 1207; [2022] RPC 5, per Arnold LJ at [10]-[13]). Evidence of actual confusion is not a pre-requisite of success in an infringement action.[91]In this case, nothing appears to turn on the date of assessment. Three of the Marks relied upon were registered well before 2019 (the date of the first use complained of) and they have the enhanced distinctive character I have discussed above. The ‘946 and ‘890 Marks were registered only in 2022 but there are no changes between those dates which lead to me to suppose that different assessments should be made as at the different dates.[92]I have found that the signs and marks are identical and are being used for identical or highly similar services. The Marks are intrinsically highly distinctive and, as I have found, have some enhanced distinctiveness. In my judgment, a significant proportion of average consumers viewing the various advertisements and offers for sale on the Cornucopia website are likely to form the erroneous impression that Cornucopia is selling tickets to VANITY FAIR or GQ Events. The way in which Cornucopia has advertised the Events in my view would lead a consumer to believe that there is commercial connection between Cornucopia and the providers of the VANITY FAIR and GQ Events. The potential for that kind of confusion is illustrated by the approach made to Cornucopia by Ms Anderson, although, as I have already said, I cannot tell what prompted her to make that approach. On the other hand, Mr Vohra’s response to that approach (which he said was the Defendants’ standard response) not only set out ticket prices but suggested that Cornucopia would be allocating the invitations to the Event. In my view it is inevitable that a consumer seeing one of the relevant pages on the Cornucopia website and receiving such a response would believe there to be a commercial connection between Cornucopia and the Claimants. As I have said, Mr Vohra accepted that a member of the public seeing an invitation such as the one posted on Instagram shown at paragraph 39 above would think that the Defendants had a connection to Vanity Fair. In my judgment, that is also the impression given by the various Event webpages which I have discussed above, in particular given the manner in which the Cornucopia business offering is described on the website.[93]I accept that in this case there is no very clear evidence of actual confusion. The explanation given by the Defendants for the lack of substantial disclosure suggests that inquiries which might have been relevant, but which did not lead to a sale, would not have been retained on their system. One can only speculate as to whether there would have been more examples of potential confusion. Perhaps the best evidence is the article by Mr Freidman, in which he plainly believed that Cornucopia was advertising tickets for sale, although he did wonder whether such tickets were legitimate. If, as the Defendants now say, they have never sold a ticket to an Event, and if, as their minimal disclosure shows, virtually no-one has ever approached them for tickets to an event, there would of course be no evidence of actual confusion to come to light. That does not, however, mean that there is not a likelihood of confusion for all the reasons I have given. I do not consider that the lack of evidence of actual confusion counteracts my findings as to the likelihood of confusion.[94]For those reasons, and for all the reasons discussed above in relation to the impact on the origin function of the Marks, I conclude that the Defendants’ uses of the identical signs on highly similar services, in context, gave rise to a risk of confusion on the part of a significant number of consumers.[95]Section 11(2)(b) of the Act provides that it is not an infringement to use a sign which concerns the kind, quality or other characteristics of services, provided that such use is made in accordance with honest practices in industrial or commercial matters. The Defendants did not plead a defence under s 11, but the points made by Mr Vohra as to the lack of impact on the origin function raise the same issues, as shown in the two BMW cases discussed above, see in particular [61] of Deenik. The relevant law was summarised recently by Arnold LJ in Thatchers Cider Co v Aldi Stores [2025] EWCA Civ 5, [2025] FSR 9:
“134. The law. The principles laid down by the Court of Justice for determining whether the use of a sign is “in accordance with honest practices in industrial or commercial matters” may be summarised as follows. 135. First, the requirement to act in accordance with honest practices in industrial or commercial matters “constitutes in substance the expression of a duty to act fairly in relation to the legitimate interests of the trade mark proprietor… 136. Secondly, the court should “carry out an overall assessment of all the relevant circumstances”, and in particular should assess whether the defendant “can be regarded as unfairly competing with the proprietor of the trade mark”: see Gerolsteiner at [26], Anheuser-Busch at [84] and Céline at [35]. 137. Thirdly, an important factor is whether the use of the sign complained of either gives rise to consumer deception or takes unfair advantage of, or is detrimental to, the distinctive character or repute of the trade mark. If it does, it is unlikely to qualify as being in accordance with honest practices: see Gillette at [49], Anheuser-Busch at [83] and Céline at [34]. 138. Fourthly, a mere likelihood of confusion will not disqualify the use from being in accordance with honest practices if there is a good reason why such a likelihood of confusion should be tolerated: Gerolsteiner at [25]. 139. In applying these principles in a number of cases when sitting at first instance, I found it of assistance to consider the following list of factors which I first set out in Samuel Smith v Lee at [118]: i) whether the defendant knew of the existence of the trade mark, and if not whether it would have been reasonable for it to conduct a search; ii) whether the defendant used the sign complained of in reliance on competent legal advice based on proper instructions; iii) the nature of the use complained of, and in particular the extent to which it is used as a trade mark for the defendant’s goods or services; iv) whether the defendant knew that the trade mark owner objected to the use of the sign complained of, or at least should have appreciated that there was a likelihood that the owner would object; v) whether the defendant knew, or should have appreciated, that there was a likelihood of confusion; vi) whether there has been actual confusion, and if so whether the defendant knew this; vii) whether the trade mark has a reputation, and if so whether the defendant knew this and whether the defendant knew, or at least should have appreciated, that the reputation of the trade mark would be adversely affected; viii) whether the defendant’s use of the sign complained of interferes with the owner’s ability to exploit the trade mark; ix) whether the defendant has a sufficient justification for using the sign complained of; and x) the timing of the complaint from the trade mark owner.” i) whether the defendant knew of the existence of the trade mark, and if not whether it would have been reasonable for it to conduct a search; ii) whether the defendant used the sign complained of in reliance on competent legal advice based on proper instructions; iii) the nature of the use complained of, and in particular the extent to which it is used as a trade mark for the defendant’s goods or services; iv) whether the defendant knew that the trade mark owner objected to the use of the sign complained of, or at least should have appreciated that there was a likelihood that the owner would object; v) whether the defendant knew, or should have appreciated, that there was a likelihood of confusion; vi) whether there has been actual confusion, and if so whether the defendant knew this; vii) whether the trade mark has a reputation, and if so whether the defendant knew this and whether the defendant knew, or at least should have appreciated, that the reputation of the trade mark would be adversely affected; viii) whether the defendant’s use of the sign complained of interferes with the owner’s ability to exploit the trade mark; ix) whether the defendant has a sufficient justification for using the sign complained of; and x) the timing of the complaint from the trade mark owner.”
[96]In this case, it does not seem to me that the Defendants may rely upon s 11(2)(b), as in the light of all the circumstances I consider that they cannot be said to have used the Marks in accordance with honest practices. Mr Vohra accepted the reputation of the Marks, and should (at least in the light of the correspondence received from the Claimants) have realised that the manner in which Cornucopia was using the identical signs would have an impact on that reputation. Cornucopia's use of the Marks was, as I have already found, misleading, and was liable to give rise to consumer deception, and the use continued despite the objections raised by the Claimants in 2020 and again in 2024, to which the Defendants did not respond. Indeed, the email exchange between Mr Vohra and Ms Anderson took place as late as the end of October 2025.[97]The Claimants pleaded that similar proceedings to these had been brought against Cornucopia by other intellectual property rights holders in factually similar cases, in particular claims brought in relation to the advertisement of tickets to a Victoria's Secret Fashion Show, and the Grammy Awards. Mr Vohra accepted that those proceedings were settled, and obviously I do not know the merits of those claims. Nevertheless, those claims, brought respectively in 2015 and 2022, should have alerted the Defendants to the potential legal consequences of the manner in which they were running their business.[98]In the circumstances, I find there to have been infringement of all of the Marks save for the ‘435 Mark under s 10(1) and/or (2).

Section 10(3)

[99]The Claimants also made an allegation of infringement pursuant to s 10(3). The section provides:
“(3) A person infringes a registered trade mark if he uses in the course of trade, in relation to goods or services, a sign which— (a) is identical with or similar to the trade mark, where the trade mark has a reputation in the United Kingdom and the use of the sign, being without due cause, takes unfair advantage of, or is detrimental to, the distinctive character or the repute of the trade mark.”
There are 9 conditions for such infringement (see e.g. Thatchers, supra at [38]): (i). the trade mark must have a reputation in the UK; (ii). there must be use of a sign by a third party within the UK; (iii). the use must be in the course of trade; (iv). it must be without the consent of the proprietor of the trade mark; (v). it must be of a sign which is identical or similar to the trade mark; (vi). it must be in relation to goods or services; (vii). it must give rise to a “link” between the sign and the trade mark in the mind of the average consumer; (viii). it must give rise to one of three types of injury, that is to say, (a) unfair advantage being taken of the distinctive character or repute of the trade mark, (b) detriment to the distinctive character of the trade mark (often referred to as “dilution”) or (c) detriment to the repute of the trade mark (often referred to as “tarnishment”); and (ix). it must be without due cause.[100]I have dealt above with the reputation of the Marks, which extends to goods/services in all of the Marks relied upon, and otherwise conditions (ii) to (v) are sufficiently dealt with above. For the purposes of s 10(3) it is not necessary for the Defendants to use the sign on goods or services which are identical or similar to those in the Claimants’ specification, so that condition (vi) is also satisfied.[101]The requirement for there to be a “link” between the sign and the Marks in the mind of the average consumer is plainly satisfied in the light of my findings on the impact of the use of the signs on the origin function of the Marks and on the likelihood of confusion. Again, Mr Vohra's acceptance that use of a real or mocked up invitation to one of the Events would lead a member of the public to think that the Defendants had a connection to Vanity Fair, demonstrates how the Defendants' uses of the signs would be likely to lead to a link to the Marks. I do not consider that the link will be limited to uses of that very specific kind, but I am persuaded that, as I have said in relation to the likelihood of confusion, the link would be made by reason of the overall manner in which the Cornucopia business offering is described on the website.[102]There are three kinds of potential damage, see CJEU in L’Oréal v Bellure NV (C-487/07) [2010] R.P.C. 1 at [39]–[42]:
“39. As regards detriment to the distinctive character of the mark, also referred to as ‘dilution’, ‘whittling away’ or ‘blurring’, such detriment is caused when that mark’s ability to identify the goods or services for which it is registered is weakened, since use of an identical or similar sign by a third party leads to dispersion of the identity and hold upon the public mind of the earlier mark. That is particularly the case when the mark, which at one time aroused immediate association with the goods or services for which it is registered, is no longer capable of doing so (see, to that effect, Intel Corp (C-252/07) [2008] E.C.R. I-8823, para.29). 40. As regards detriment to the repute of the mark, also referred to as ‘tarnishment’ or ‘degradation’, such detriment is caused when the goods or services for which the identical or similar sign is used by the third party may be perceived by the public in such a way that the trade mark’s power of attraction is reduced. The likelihood of such detriment may arise in particular from the fact that the goods or services offered by the third party possess a characteristic or a quality which is liable to have a negative impact on the image of the mark. 41. As regards the concept of ‘taking unfair advantage of the distinctive character or the repute of the trade mark’, also referred to as ‘parasitism’ or ‘free-riding’, that concept relates not to the detriment caused to the mark but to the advantage taken by the third party as a result of the use of the identical or similar sign. It covers, in particular, cases where, by reason of a transfer of the image of the mark or of the characteristics which it projects to the goods identified by the identical or similar sign, there is clear exploitation on the coat-tails of the mark with a reputation. 42. Just one of those three types of injury suffices…”
[103]In addition, it is necessary to have proof that the use of the sign is or would be detrimental to the distinctive character of the Mark. This requires evidence of a change in the economic behaviour of the average consumer of the goods or services for which the mark is registered consequent on the Defendants’ use of the sign, or a serious likelihood that such a change will occur in the future. A serious risk of detriment can be established by logical deductions, but any such deduction cannot be supposition and must instead be founded properly on all the circumstances of the case and the nature of the trade in issue. Whilst in this case there is a lack of evidence of an existing change in consumer behaviour, it seems to me that there is a real likelihood of such a change, which can be deduced from the impact which the Defendants’ use of the identical signs will have on the origin function of the Marks. In those circumstances, I find that the Defendants’ activities dilute the distinctive character of the Marks.[104]In Thatchers (supra), Arnold LJ considered the basis of a claim that a defendant has taken unfair advantage of the mark with a reputation, and set out the main principles derived from L’Oreal v Bellure, where the CJEU held at [41]: “As regards the concept of ‘taking unfair advantage of the distinctive character or the repute of the trade mark’, also referred to as ‘parasitism’ or ‘free-riding’, that concept relates not to the detriment caused to the mark but to the advantage taken by the third party as a result of the use of the identical or similar sign. It covers, in particular, cases where, by reason of a transfer of the image of the mark or of the characteristics which it projects to the goods identified by the identical or similar sign, there is clear exploitation on the coat-tails of the mark with a reputation.”.[105]Arnold LJ went on to say:
“48. It is clear both from the wording of the relevant provisions and from the case law of the Court of Justice and General Court interpreting them, in particular L’Oréal v Bellure, that this aspect of the legislation is directed at a particular form of unfair competition. … the defendant’s conduct is most likely to be regarded as unfair where the defendant intends to take advantage of the reputation of the trade mark. Nevertheless, in Jack Wills Ltd v House of Fraser (Stores) Ltd [2014] EWHC 110 (Ch), [2014] FSR 39 I concluded at [80] that there was nothing in the case law to preclude the court from holding in an appropriate case that the use of a sign the objective effect of which is to enable the defendant to benefit from the reputation of the trade mark amounts to unfair advantage even if it is not proved that the defendant subjectively intended to exploit that reputation. …”
[106]I have already expressed some scepticism about the reasons why Cornucopia wished to advertise tickets for the Events on the Cornucopia website, in circumstances where, on the Defendants’ amended case, they had not achieved a single sale despite having placed such advertisements on the site and on social media since 2019, and they had little hope, according to Mr Vohra, of being able to provide access to one of the Events. It is possible, as the Claimants suggested, that this was all part of a “bait and switch” business plan. Whether or not that is correct, in my view the use of the Marks on the Cornucopia website was at the least designed to enhance the prestige of the services it could offer to its clients, and may have been intended to tempt clients to make contact with the Defendants in the hope that they would be able to supply them with some services, whether related to the Events or to other events or services. Mr Vohra said that these advertisements represented a tiny proportion of the events and services on offer from Cornucopia. Even so, in my judgment, it is self-evident from their advertisements for the Events that Cornucopia was intending to take advantage of the reputation of the Marks for glamour and exclusivity. This is classic unfair advantage by a transfer of image.[107]Furthermore, in my judgment Cornucopia was “riding on the coat-tails” of the Marks. It is clear that it used the identical signs to the Marks to convey the message that it could provide access to the Claimants’ Events. To that extent it intended to take advantage of the reputation of the Marks, to enable it to charge high prices for their services, possibly (given the variety of prices quoted) at rates completely unrelated to the amount of work which would have been involved in providing the services, or to increase the volume of sales of their other services. If the Defendants did not intend consumers to be deceived or confused as to the trade origin of the tickets on offer, that would not detract from the finding that unfair advantage was taken (see Thatchers at [99]). If I am wrong in making that finding of an intent to take advantage, I consider in any event that objectively such an advantage would have been taken by Cornucopia.[108]Whilst the mere fact of gaining a commercial advantage is not enough to demonstrate unfair advantage, showing a change in the economic behaviour of the defendants' customers does suffice. See e.g. Argos Ltd v Argos Systems Inc [2018] EWCA Civ 2211, [2019] Bus. L.R. 1728 at [107]. Again, that requirement is satisfied in my view by the impact that Cornucopia’s activities will have on the origin function of the Marks.[109]There may also be tarnishment by reason of the impugned use of the Marks, on the basis either that they give the impression, contrary to the fact, that the Events are not exclusive in any real sense, which could have an impact on the repute of the Events and the Marks, or if consumers attach some blame to the Claimants when they discover that they are unable to obtain access to the Events via Cornucopia.[110]The Defendants did not specifically plead that they had due cause to use the Marks but once again referred to the claim that the use they made of them was "nominative fair use, being references necessary to identify the events concerned without suggesting endorsement or licence." Bearing in mind the passage from Thatchers which I have set out above, and in light of my findings as to the Defendants' use being misleading rather than informative, if this was a claim to due cause to use the Marks, I reject it. Overall, I conclude that the use of the Marks was not in accordance with honest practices in industrial and commercial matters because it was unfair competition, and I find that all of the Marks have been infringed pursuant to s 10(3). Passing off[111]The classic trinity of elements of the action for passing off was summarised by Lord Oliver in Reckitt & Colman Products Ltd v Borden [1990] 1 WLR 491 (p 499D – H): goodwill, misrepresentation and damage. In Discount Outlet v Feel Good UK [2017] EWHC 1400 IPEC, [2017] ETMR 34, HHJ Melissa Clarke, sitting as a deputy

Judge of the High Court, helpfully explained:

“55. The elements necessary to reach a finding of passing off are the ‘classical trinity' of that tort as described by Lord Oliver in the Jif Lemon case (Reckitt & Colman Product v Borden [1990] 1 WLR 491 HL, [1990] RPC 341, HL), namely goodwill or reputation; misrepresentation leading to deception or a likelihood of deception; and damage resulting from the misrepresentation. The burden is on the Claimants to satisfy me of all three limbs. 56. In relation to deception, the court must assess whether "a substantial number" of the Claimants' customers or potential customers are deceived, but it is not necessary to show that all or even most of them are deceived (per Interflora Inc v Marks and Spencer Plc [2012] EWCA Civ 1501, [2013] FSR 21). 57. The Defendant relies on The National Guild of Removers and Storers Limited v Bee Moved Limited, Nicholas Anthony Burns and Oliver Christopher Robert Sampson [2016] EWHC 3192 (IPEC) in which Douglas Campbell QC sitting as a deputy Judge of the High Court considered "… the difficulties of distinguishing between mere confusion, which is not enough to establish misrepresentation, and deception, which is" … . He concluded that: "The real distinction between the two lies in their causative effect, but is not a complete statement of the position… The more complete statement focuses on whether the conduct complained of is "really likely" to be damaging to the Claimant’s goodwill or divert trade from him. This emphasis on "really likely" echoes Lord Fraser in Advocaat [1980] RPC 31 at p 106 line 3. It is implicit in this test that if the conduct complained of is not "really likely" to be damaging then it will be mere confusion."”
[112]The date for assessment of passing off is the date of commencement of the acts of which complaint is made or threatened, see Cadbury-Schweppes v Pub Squash Co [1981] 1 WLR 193, [1981] R.P.C. 429. In this case, that date appears to be some time in 2019.[113]In the light of my findings as to the enhanced distinctiveness and reputation of the Marks, it appears to me clear that the Claimants also benefit from goodwill attaching to the Marks when used in relation to online and print publications and the promotion, advertising and hosting of fashion and entertainment events and award nights.[114]For the reasons set out above in relation to infringement under ss 10(1) and (2), I also find that Cornucopia has made a variety of misrepresentations, liable to deceive members of the public into believing that the services offered by Cornucopia in relation to the Events are connected in the course of trade or associated with the Claimants. In his witness statement, Mr Vohra claimed that there had been no relevant posts on Instagram for about 3½ years, so there could have been no passing off. I do not understand how that fact (assuming that it is correct) reduces the impact of the other misrepresentations made in Cornucopia’s advertisements.[115]Those misrepresentations are not causative merely of confusion but will have caused or are “really likely” to cause damage to the Claimants by diverting trade, and by affecting the reputation for exclusivity connected with the Marks.[116]In the premises, I find that there has been passing off.

Joint liability

[117]The Claimants pleaded that Mr Vohra was jointly liable with the First Defendant for all such acts of infringement and passing off either as a primary tortfeasor or by reason of a common design. They pleaded in particular that: i. He was the controlling mind behind Cornucopia, its founder, managing director and majority shareholder. Mr Vohra is the only person shown as having significant control of the company and he accepted in evidence that he holds 75% of its shares, ii. His name and email address was given on (for instance) a GQMOTY webpage, and iii. Mr Vohra personally responded to the query made by “George Wilde.” In fact, on disclosure it became apparent that he had also responded in person to the inquiry from Ms Anderson. The Cornucopia website describes Mr Vohra’s business background and achievements which includes some (incomplete) legal training. The Claimants alleged that Mr Vohra had substantial experience in the events/entertainment industry and should have known that tickets are not sold for the Events. That knowledge would have been reinforced by the Claimants’ cease and desist letters, and the fact that other similar cases had been brought by third parties should have put Mr Vohra on notice of the facts meaning that the matters complained of amounted to acts of infringement and passing off.[118]The Defendants completely failed to plead to the allegation of joint liability, albeit the question was agreed at the CMC to be one of the issues for trial. In his witness statement, Mr Vohra stated that he did not know and did not turn a blind eye to any facts which he understood to constitute infringement or passing off. However, Mr Vohra plainly was closely involved with the disputed matters. As I have said, he responded to the only two relevant inquiries in evidence, he was also the sole signatory to the statement of truth on the Amended Defence of both Defendants, which HHJ Hacon had directed should be signed by him and by anyone else with knowledge of the relevant facts. Mr Vohra was keen in his evidence to suggest that his co-director Mr Crouch knew more about Cornucopia’s activities than he did, yet Mr Crouch took no visible part in the proceedings. He became a director in 2022 yet I have not seen his name on any correspondence, and he did not sign the statement of truth. There was a page from the Cornucopia website in evidence headed “Meet the Team.” This described Mr Vohra and three events managers, but no mention was made of Mr Crouch.[119]I do not rely upon Mr Vohra’s evidence that Mr Crouch knew more than he did about the matters in issue nor upon his explanation that a whole team of people undertook Cornucopia’s social media activity, without him knowing what they did. That all strikes me as extremely unlikely. It is, in essence, his business, founded and run by him and even allowing for there being other members of staff and another director, I think it much more likely than not that Mr Vohra was at all times well aware of all of the company’s activities. He did accept that some of the copy on the Cornucopia website had been written on his instructions.[120]Mr Vohra was asked about the third-party infringement proceedings brought against Cornucopia. He accepted that those cases made essentially identical complaints to this case and had been settled. He also accepted that from 2019 he must have known that there was at least a serious risk that the advertisements for the Events amounted to trade mark infringement and passing off, although he immediately qualified that answer by saying that now he did not believe that “participating in the way that we do amounts to trade mark infringement [or] passing off.”[121]The Supreme Court in Lifestyle Equities CV v Ahmed [2024] UKSC 17; [2025] AC 1held that in order for persons to be held jointly liable with a tortfeasor for a tort, they must have knowledge of the essential facts which make the acts wrongful, whether or not the primary tort in question (such as trade mark infringement) is a strict liability offence, and whether or not the accessory liability arises from procuring a tort or by a common design. As Lord Leggatt (with whom the other members of the Court agreed) explained:
“137. Although procuring a tort and assisting another to commit a tort pursuant to a common design are distinct bases for imposing accessory liability, they must operate consistently with each other and such that the law of accessory liability in tort is coherent. Considerations of principle, authority and analogy with principles of accessory liability in other areas of private law all support the conclusion that knowledge of the essential features of the tort is necessary to justify imposing joint liability on someone who has not actually committed the tort. This is so even where, as in the case of infringement of intellectual property rights, the tort does not itself require such knowledge. … Application to this case 138 In a simple case where, for example, a company offers for sale counterfeit goods, it may be obvious that a director who arranged for the manufacture and sale of the goods must have known the facts which made the company’s acts infringements of the claimant’s trade mark. But the present case is not of this kind. The Santa Monica Polo Club signs used by Hornby Street were different in various ways from Lifestyle’s registered trade marks and there was room for argument and honest difference of opinion about the extent of the similarity and whether it gave rise to a likelihood of confusion or otherwise resulted in infringement. 139 At the first trial the judge made findings about the Ahmeds’ knowledge, which fall well short of finding that they had the knowledge required for accessory liability. The period during which infringements took place ran from 2008 until January 2018 ... The judge made no finding that the Ahmeds were even aware of Lifestyle’s trade marks before March 2014, when Lifestyle sent a letter of complaint about the use of the Santa Monica Polo Club signs. The judge … did not find that the Ahmeds knew, or should have appreciated, that there was a likelihood of confusion… 140 To establish infringement under section 10(3) several matters must be proved. They include the facts: (i) that the claimant’s trade mark has a reputation in the United Kingdom; and (ii) that the use of the sign complained of (a) gives rise to a link between the sign and the claimant’s trade mark in the mind of the average consumer, (b) gives rise to one of the three relevant types of injury specified in section 10(3), and (c) is without due cause …. The judge found infringement involving two relevant types of injury: taking unfair advantage of the distinctive character or the repute of the claimant’s trade mark and causing detriment to its distinctive character. 141 Regarding the Ahmeds’ knowledge of these matters, the judge noted that it was not put to Mr Ahmed in cross-examination, nor was it submitted on behalf of Lifestyle, that the Juice Corporation companies and their directors ever deliberately intended to take advantage of the distinctive character or the repute of Lifestyle’s trade marks... The judge found that the Ahmeds must have known about the reputation of the claimant’s trade mark from at least 2014 (the date of the letter of complaint)... But although the judge raised the question whether the Ahmeds knew, or should have appreciated, that this reputation would be adversely affected by the use of the offending … signs, he made no finding to that effect... And although the judge found that the use of the offending signs was without due cause…, he made no finding that the Ahmeds realised (nor even that they should have realised) this.”

Application to this case

[122]Applying those principles to the facts of this case: i. I am persuaded that Mr Vohra knows everything of significance about the business of the First Defendant but in particular he has throughout known about its use of the Marks. He is not the sole director of the company but appears to be very much in charge of it, both legally and in fact. ii. In my judgment he directed, procured and authorised the infringing acts of the First Defendant. iii. On the other hand, I consider that despite the findings I have made about the impact of Cornucopia’s use of the Marks on the origin function of the Marks, and my finding of a likelihood of confusion, it cannot be said that Mr Vohra knew, or should have appreciated, that there was a likelihood of confusion. In my judgment he must have known that there was a real risk that a complaint of infringement would be levied against the First Defendant, but that is not the same thing. I do not consider, in the circumstances, that he can be held jointly liable for infringement under s 10(1) or (2). iv. For substantially the same reasons, I do not find him jointly liable for passing off. v. However, it is clear that at least after receipt of the first cease and desist letter in March 2020, and possibly right from the start of the infringing activity in 2019, Mr Vohra was aware of the Claimants’ trade mark registrations, and of their reputation. I have also found that that Cornucopia was intending to take unfair advantage of the reputation of the Marks for glamour and exclusivity. In those circumstances, and in the light of my findings at paragraphs 106-110 above, I am satisfied and I find that Mr Vohra was jointly liable for the infringements under s 10(3).[123]The Claimants asked me to make findings about knowing infringement for the purposes of Regulation 3 of the Intellectual Property (Enforcement etc) Regulations 2006/1028, that is, as to whether the Defendants knew or had reasonable grounds to know that they were engaged in infringing activity. I consider that the findings I have made in relation to joint liability would apply by analogy in relation to both Defendants on this point.

Conclusion

[124]For these reasons, I find that there has been infringement by the First Defendant under ss 10(1), (2) and (3) as well as passing off. I find the Second Defendant jointly liable for the s 10(3) infringements.[125]This judgment will be handed down remotely. If the parties are unable to agree the appropriate form of order, a hearing will be listed through the usual channels to resolve the order, and the time for appeal will, if necessary, be extended to run from the date of that hearing. ANNEX A List of Issues The CMC order listed the following issues for trial: The Events[1]Whether tickets or access rights to the Events (as defined in the Particulars of Claim) were ever placed on the market by, or with the consent of, the Claimants.[2]If Issue 1 is in the affirmative: whether the Defendants’ sale of such access through secondary channels constitutes a lawful resale such that the Claimants’ rights were exhausted, or whether the Defendants’ use nonetheless infringes those rights. The Trade Marks[3]Whether the Trade Marks enjoy enhanced distinctive character.[4]Whether the Trade Marks enjoy a reputation in respect of publications, publishing and events. s.10(1)

Trade mark infringement

[5]Whether the Defendants have used signs that are identical to the Trade Marks in the course of trade.[6]Whether the Defendants have used signs that are identical to the Trade Marks in relation to goods or services identical to those for which the Trade Marks are registered. If not, whether the signs complained of are similar to the Trade Marks and whether the goods and services in respect of which they have been used are similar to those for which the Trade Marks are registered.[7]Whether the Defendants’ use of the signs complained of is liable to damage the functions of the Trade Marks. s.10(2) Trade Mark Infringement[8]What the characteristics of the average consumer of the goods and services in question are.[9]Whether the Defendants’ use of the signs complained of gives rise to a likelihood of confusion with the Trade Marks.[10]Whether there has been actual confusion.

s.10(3) Trade Mark Infringement

[11]Whether the Defendants’ use of the signs complained of gives rise to a link with the Trade Marks in the mind of the average consumer.[12]Is there evidence of actual consumers making a link as aforesaid?[13]Whether the Defendants sought through the Cornucopia Website, the Email Addresses and the List to create a link in the mind of the average consumer between its ticketing services and the Claimants’ goods and services.[14]Whether the Defendants’ use of the signs complained of takes unfair advantage of or is detrimental to the alleged distinctive character of the Trade Marks and/or is damaging to the reputation of the Trade Marks.

Passing off

[15]Whether the conduct of the Defendants (including through the Cornucopia Website, the Email Addresses and the List) has led or was calculated or threatens to lead to a likelihood that members of the public will believe that the Defendants’ services provided under the signs are those of or under licence from the Claimants or otherwise connected to them. Accordingly, whether there has been a misrepresentation that this is the case.[16]Whether the Defendants’ conduct caused and is likely to cause damage to the Claimants.

Joint and Several Liability

[17]Are the Defendants jointly and severally liable for the acts undertaken by or through the First Defendant?[18]Did the Second Defendant commit the acts complained of as a primary tortfeasor?[19]What the Second Defendant’s involvement in the conduct complained of was. Whether he was aware of the matters that made the conduct complained of unlawful.[20]Whether the Second Defendant is liable as a joint tortfeasor by way of common design.

Relief and quantum

[21]Have any infringements been knowing and deliberate so as to entitle the Claimants to damages assessed in accordance with Regulation 3 of The Intellectual Property (Enforcement) Regulations 2006?[22]What relief (if any) the Claimants are entitled to. ANNEX B Pages from the Cornucopia website … …