“(a) the likelihood of confusion must be appreciated globally, taking account of all relevant factors; (b) the matter must be judged through the eyes of the average consumer of the goods or services in question, who is deemed to be reasonably well informed and reasonably circumspect and observant, but who rarely has the chance to make direct comparisons between marks and must instead rely upon the imperfect picture of them he has kept in his mind, and whose attention varies according to the category of goods or services in question; (c) the average consumer normally perceives a mark as a whole and does not proceed to analyse its various details; (d) the visual, aural and conceptual similarities of the marks must normally be assessed by reference to the overall impressions created by the marks bearing in mind their distinctive and dominant components, but it is only when all other components of a complex mark are negligible that it is permissible to make the comparison solely on the basis of the dominant elements; (e) nevertheless, the overall impression conveyed to the public by a composite trade mark may, in certain circumstances, be dominated by one or more of its components; (f) and beyond the usual case, where the overall impression created by a mark depends heavily on the dominant features of the mark, it is quite possible that in a particular case an element corresponding to an earlier trade mark may retain an independent distinctive role in a composite mark, without necessarily constituting a dominant element of that mark; (g) a lesser degree of similarity between the goods or services may be offset by a greater degree of similarity between the marks, and vice versa; (h) there is a greater likelihood of confusion where the earlier mark has a highly distinctive character, either per se or because of the use that has been made of it; (i) mere association, in the strict sense that the later mark brings the earlier mark to mind, is not sufficient; (j) the reputation of a mark does not give grounds for presuming a likelihood of confusion simply because of a likelihood of association in the strict sense; and (k) if the association between the marks creates a risk that the public might believe that the respective goods or services come from the same or economically-linked undertakings, there is a likelihood of confusion.”
“In my judgment the general position is now clear. In assessing the likelihood of confusion arising from the use of a sign the court must consider the matter from the perspective of the average consumer of the goods or services in question and must take into account all the circumstances of that use that are likely to operate in that average consumer’s mind in considering the sign and the impression it is likely to make on him. The sign is not to be considered stripped of its context.”
“Likelihood of confusion must be assessed from the perspective of the ‘average consumer’ of the relevant goods and/or services, who is deemed to be ‘reasonably well informed and reasonably observant and circumspect’. The characteristics and role of the average consumer have been discussed in numerous authorities but have been summarised most recently by Arnold LJ in Lidl Great Britain Limited v Tesco Stores Limited[2024] EWCA Civ 262 at [16] - [20].”
“79. In my judgment there are two classes of average consumer to consider in this case. One is the class made up of children, young people, students and families, who buy at lunch, at teatime and into the evening and have low disposable income. They will choose a chicken fast-food shop by convenience of location and shopfront, or from an advert on a delivery website, with a medium to low degree of attention. I do not accept the Defendants’ submission that the fact that they are low income means they will pay greater attention, as they will be selecting the shop once they have taken the decision that they can afford and will buy such a meal. There is no evidence before me that there is any significant difference in price between comparable meals from Metro’s and Morley’s or other such fast-food outlets. 80. The second class of average consumer is the late-night and early-morning revellers described by SS who are likely tired, hungry and a significant subset of which will be intoxicated. They will also choose by convenience of location, shopfront and what is open late, and in my judgment will pay a low degree of attention.”
“i) both use white lettering on a background in an identical or highly similar red; ii) Sign 1 uses identically the distinctive form of the letter ‘M’ as the first letter of the main word; iii) the layouts of Sign 1 and [the] Morley’s Red and White Mark are highly similar, being a main word with highly similar structure and highly similar larger font, set above a strapline beginning after the drop of the letter ‘M’; iv) the use of a similar strapline with shared elements (It, Taste, and an ellipse) and conveying a highly similar concept of good taste (‘...It’s The Real Taste’ in Sign 1 and ‘MMM... It Tastes Better’ in the Morley’s Red and White Mark). …”
“96. I agree with all of the visual similarities identified by the Claimant and set out above. The dominant element of each of Sign 1 and the Morley's Red and White Mark is the brand name, which although different do present similarly with a closely similar but not identical italic font, the almost identical large, stylised M being the most dominant part of that dominant feature in each case. I find both the font used and the large, stylised M to be distinctive. 97. The strapline of each, although not dominant, is by no means negligible. I find in each case that it is an important secondary element, which has a distinctive role independent of the dominant element. 98. The placement of the strapline in both Sign 1 and the Morley’s Red and White Mark, under the dominant element and within the space provided by the drop of the right leg of the letter ‘M’, together with the almost identical italic serif font, and the similarity in words and the ellipse, add to the visual similarity, although the use of ‘MMM’ in the Morley’s Red and White Mark is a distinctive element of the strapline which is a point of difference with Sign 1. 99. Also adding to the visual similarity in my assessment is the use of white text on a red background. I accept that those colours are not distinctive in this fast-food arena, but I accept Mr Pearson's submission for the Claimant that the similarity in font, size and layout of the elements of both signs produces a pattern of white on red which is visually very similar and adds to the distinctiveness of the whole. I do not consider that the average consumer would perceive any difference at all in the shades of red and white used in the Morley’s Red and White Mark as imperfectly held in his mind and Sign 1 as used by the Defendants. Unless compared directly side by side, I find them to be almost identical. 100. Despite the different brand names in the dominant element (the differences which are made somewhat less significant in my judgment by the almost identical dominant stylised letter ‘M’, very similar font and word length) and the missing ‘MMM’ and varied strapline in Sign 1, I find Sign 1 and the Morley’s Red and White Mark to be visually quite similar.”
“Conceptually, the brand name ‘Metro’s’ within Sign 1 is not similar to ‘Morley’s’ in the Mark. However, I find Sign 1 and the Mark to be similar conceptually overall, because of the conceptually very similar straplines centred around good taste.”
“I do not find this a difficult decision to reach. The combination of the following factors: i) that a class of the average consumer is made up of late-night revellers a subset of whom are intoxicated and who pay a low degree of attention to their choice of fast-food shop; ii) that I have found that Sign 1 is similar to the Morley’s Red and White Mark to a medium degree; iii) that the Morley’s Red and White Mark has a higher level of distinctiveness giving rise to an increased risk of confusion; iv) that part of the context of the use of Sign 1 is that it is used in and on Metro's shops with a very similar get-up to that of Morley’s stores, some of which (the large wall posters of a woman eating a burger, the brick walls, the red and white interior tiles) is visible from the street outside the stores through the shop windows; v) that I accept SS’s evidence that the similarity between Sign 1 and the Morley’s Red and White Mark is more marked when Sign 1 is viewed on a lit-up fascia at night, such that it has confused even him into mistaking a Metro’s shop for one of his own; means that I am satisfied that there is a likelihood of confusion by a substantial part of that class of average consumer. That is sufficient.”
“… (i) the addition of the strapline; (ii) the removal of one edge of the border; (iii) the dulling of the colour of the border from electric blue to dark blue and (iv) the reduced spacing between the letters of ‘Metro’s’ … ”
“3. RELEASE 3.1 This agreement is in full and final settlement of, and each party hereby releases and forever discharges, all and/or any actions, claims, rights, demands and set-offs in the Jurisdiction that it, its Related Parties or any of them ever had against the other party or any of its Related Parties arising out of or connected with the Dispute. (Collectively the Released Claims) 3.2 For the avoidance of doubt this settlement and release does not waive, release, settle or in any other way compromise any claim MFF may have against any other third party (or release them thereof) in respect of third party’s dealings in the course of trade under and by reference to the Signs. 4. AGREEMENT NOT TO SUE Each party agrees, on behalf of itself and on behalf of its Related Parties not to sue, commence, voluntarily aid in any way, prosecute or cause to be commenced or prosecuted against the other party or its Related Parties any action, suit or other proceeding concerning the Released Claims, in the Jurisdiction. Each party agrees to bear their own costs in relation to the Dispute ”
“Within 7 days of the Effective Date he will cease to use, in the course of trade of the Signs, to include use in respect of the Stock (save as provided by clause 5.7 below), signage and business stationery.”
“He will make reasonable efforts, within 14 days of the Effective Date, to procure any third party using the Signs in the course of trade to cease such use and within a reasonable period to use in the course of trade the Metro’s Signs. If such third parties do not comply KK will provide reasonable assistance and cooperation to MFF in any legal proceedings brought by MFF against those third parties brought to enforce the MFF Trade Marks and/or prevent passing off[.]”
“The Parties agree that the undertakings above will not apply to, and KK will be permitted to use in the course of trade, The Metro’s Signs to include for the avoidance of doubt the application of The Metro’s Signs to any packaging and any application for a registered trade mark in respect of the Metro’s Signs.”
“Not to bring proceedings against KK in respect of his dealings in the course of trade under and by reference to the Metro’s Signs, unless said dealings breach any other term of this Agreement.”
“Not to oppose, invalidate or otherwise challenge the validity of any application for, or registration of, the Metro’s Sign[s].”
“126. The use of Sign 2 complained of is in the name of a product which must be requested orally, in store, to purchase. I accept that Sign 2 in the context of the name of a burger (as distinguished from the use of ‘MMM’ as a word within a sentence or strapline, as in the Morley's Red and White Mark), can naturally and easily be pronounced ‘Triple M’, as in, ‘I'll have a Triple M Burger please’. I am satisfied that a substantial subset of each class of average consumer would refer to it in that way, although others might use the other ways in which it can be said. To that extent, I accept the Claimant's case that Sign 2 would be perceived by both classes of average consumer as aurally and conceptually identical to the Triple M Mark, although visually dissimilar. 127. On a global assessment, then, I find Sign 2 is similar to the Triple M Mark to a medium-high degree.”
“… In my judgment the ‘MMM...’ in the Morley’s Red and White Mark, found as it is in the context of a sentence forming the strapline, is likely to be seen, pronounced and conceptually understood by the average consumer as one long ‘mmm’ sound, i.e. as the familiar expression of pleasure in something tasty. … I am satisfied that few if any consumers would look at the strapline ‘MMM... It Tastes Better’ and read or pronounce that as ‘Triple M... It Tastes Better’. That seems to me to be extremely unlikely (but note that I have a different view when ‘MMM’ is used in a different context, see the discussion in relation to Issue 7 below). …”