“In each case, the schema structure of the Defendants’ files is substantially the same as that of the Claimants’ files. In my opinion, the only plausible explanation for this is that the Defendants have copied the structure of the XML files from the Claimants”
“The significance of the XML data files (and in particular their schema) and their relationship to the IDEA Player software”
“Nevertheless, in my opinion the schemas (structures and permitted data types) of the XML data files are part of the IDEA software design because: i) The schemas defined the allowable XML data for use with the IDEA Player. The IDEA Player is then a player for any selfconsistent set of files which conform to the schemas; BTB v5.0 will similarly play any XML data files which conform to its schemas; ii) The IDEA Player and BTB v5.0 will not play XML files which do not conform to those schemas; iii) This means that the schemas for the IDEA XML files are understood by the IDEA software. Similarly, the schemas for the BTB XML files (substantially the same as the IDEA schemas) are understood by the BTB software…” i) The schemas defined the allowable XML data for use with the IDEA Player. The IDEA Player is then a player for any selfconsistent set of files which conform to the schemas; BTB v5.0 will similarly play any XML data files which conform to its schemas; ii) The IDEA Player and BTB v5.0 will not play XML files which do not conform to those schemas; iii) This means that the schemas for the IDEA XML files are understood by the IDEA software. Similarly, the schemas for the BTB XML files (substantially the same as the IDEA schemas) are understood by the BTB software…”
“And that being the case, as the XML Schema is about data types, it falls within data there, does it not?” to which Dr Young replied “Yes”
“Part 1 IDEA Software A set of software programs to accelerate and improve the process of development and maintain interactive multimedia applications. The IDEA contains all the development tools and sub-components which have been used to develop and maintain Ultrasis interactive applications, and contains: 1. IDEA 1.0 2. IDEA 1.1 3. IDEA 1.2 4. IDEA_Net IDEA 1.0 through 1.2 also called IDEA CORE and include: • Player • Tree Editor • Tree Engine • Diary • Components • Env • Storage • External tools and interface with external tools (Browser connection, QuickTime, Flash Control, External Runner, External components) • Umutil • Questionnaire generator The IDEA includes also the design and all the code that has been written for IDEA 2 (this project has been started but has not been completed).”
“The Assigned IPR includes (but is not limited to) the following: 1. All the components of the Beating the Blues Application that have been developed or are owned by UIL…”
“[25] For the purposes of determining whether there is a database within the meaning of the directive, it is irrelevant whether the collection is made up of materials from a source or sources other than the person who constitutes that collection, materials created by that person himself or materials falling within both those categories. … [28] A reading of the recitals of the preamble to the directive reveals that, given the ‘exponential growth, in the Community and worldwide, in the amount of information generated and processed annually in all sectors of commerce and industry’ as the 10th recital states, the legal protection provided by the directive is intended to encourage the development of systems performing a function of ‘storage’ and ‘processing’ of information, according to the 10th and 12th recitals. [29] Thus, classification as a database is dependant, first of all, on the existence of a collection of ‘independent’ materials, that is to say, materials which are separable from one another without their informative, literary, artistic, musical or other value being affected. On that basis, a recording of an audio-visual, cinematographic, literary or musical work as such does not fall within the scope of the directive, according to the 17th recital of the preamble to the directive. [30] Classification of a collection as a database then requires that the independent materials making up that collection be systematically or methodically arranged and individually accessible in one way or another. While it is not necessary for the systematic or methodical arrangement to be physically apparent, according to the 21st recital, that condition implies that the collection should be contained in a fixed base, of some sort, and include technical means such as electronic, electromagnetic or electro-optical processes, in the terms of the 13th Recital of the preamble to the directive, or other means, such as an index, a table of contents, or a particular plan or method of classification, to allow the retrieval of any independent material contained within it. [31] That second condition makes it possible to distinguish a database within the meaning of the directive, characterised by a means of retrieving each of its constituent materials, from a collection of materials providing information without any means of processing the individual materials which make it up. [32] It follows from the above analysis that the term database is defined in Article 1(2) of the directive refers to any collection of works, data or other materials, separable from one another without the value of their contents being affected, including a method or system of some sort the retrieval of each of its constituent materials.”
“Firstly I'll try to demonstrate that the copyright to the content of program now belongs to Ultrasis - there is no question of that. Further - agreements in 2002 assigned all other aspects of BtB from [Mr Orbach’s] company to Ultrasis, apart from the IDEA platform. Ultrasis (with minor exceptions) no longer uses this. ...The Beating the Blues programme was first developed as a CD using the IDEA software as the platform. This software platform was developed specifically to enable running complex components like graphics, video and audio. The 2002 agreement licences Ultrasis to use the IDEA software to enable ‘running’ Beating the Blues. Subsequently (not sure of the date - but probably about 2006), Ultrasis wished to develop a web version of beating the Blues and chose a different route that didn't use IDEA. A company called Agilisys was contracted to build this version. Ultrasis wished to be independent of [Mr Orbach’s] company because of failure to provide adequate support and costs. (As an example he quoted£90K to put the programme into escrow - an activity which would have cost much less than£1000 .) Subsequently, Ultrasis redeveloped BtB again on a commercially available software platform (can't remember which - probably Java), and again developed a further US version using ‘Articulate Storyline’ as the platform. If Ultrasis still has CDs of Beating the Blues in the field (probably within the prison service) then these operate on IDEA but they will be few in number”