“whether those assets are “intangible assets” or, alternatively, “financial assets” for the purposes of Part 8 of theCorporation Tax Act 2009 (those terms each having the meaning they have for accounting purposes: ss 712(1) and 806(2) of theCorporation Tax Act 2009 ) (the “Asset Classification Issue”).”
“CHAPTER X: GAAP Introduction [911] The successor to s 42(1) FA 1988, s 25 [Income Tax (Trading and Other Income) Act] 2005 provides that: ‘(1) The profits of a trade must be calculated in accordance with generally accepted accounting practice subject to any adjustment required or authorised by law in calculating profits for income tax purposes.’ [912] We use ‘GAAP’ to refer to generally accepted accounting practice. … The Issues Arising [919] The accounting practice adopted by the LLPs gave rise to a number of questions: … (3) Is it correct to treat the relevant agreements as giving rise first to one asset, the Rights in respect of the film, and then, on completion of the film, to a second asset, the debtor (the right to payment by the CD)? Alternatively should the relevant agreements be viewed ab initio as giving rise only to one asset, namely a right to the receipt of distributions from the CD? Is the asset (a) stock/WIP, or a particular species of stock, a long-term contract, or (b) a fixed intangible asset? … 5. The Tribunal’s Three Scenarios [991] Each expert was asked about the correct accounting for the following three transactions: (a) Under a contract between A and B: A agreed to pay B 100; B agreed to make a film; B agreed to pay A x% of the income from the film. (b) Under a tripartite contract between A, B and C: A agreed to pay B 100; B agreed to make a film; B agreed to transfer the film to C when made; and C agreed to pay A x% of the income from the film. A had no right to play, and did not play, any role in the making of the film. (c) Under a tripartite contract between A, B and C: A agreed to pay B 100; B agreed to make a film; B agreed to transfer the film to C when made; and C agreed to pay A x% of the income from the film. A was entitled to interfere in the making of the film. [992] The experts agreed that: (a) In the first example, A should recognise a fixed intangible asset from which it derives income; (b) In the second example, A should recognise a fixed intangible financial asset from which it would derive income; and (c) In the third example, the correct treatment depended on the role taken by A in relation to the making of the film. [993] In the third example Mr Holgate said that the accounting treatment would be different if A had a substantive role in the film-making process; Mr Steadman said that if there was sufficient activity by A then it should recognise a current asset debtor, and Mr Cannon said that if A had sufficient control over the making of the film it should account for the asset as a current asset. … Was the Film “Sold” to the CD: One Right or Two?: The Nature of the Asset [1051] Mr Holgate and Mr Steadman considered that the LLP should be treated as acquiring a film as stock which it held until it was transferred to the CD, when it should recognise a debtor. Mr Cannon's report was prepared on the basis that the LLPs operated a film production business, producing, completing and delivering films. He did not dissent from the approach of Mr Holgate and Mr Steadman. [1052] A contrary preference is expressed in PwC's letter. They prefer treatment under which the LLP recognises a single fixed intangible asset, namely the right against the CD to payment. [1053] Mr Holgate's rejection of the fixed intangible presentation rested on his conclusion that the film was an asset of the LLP which it held, and then transferred to the CD. We have noted that Mr Holgate's description of the transactions fails to take into account the fetters on the LLP's right in the film imposed by the licence and the agreements. It seems to us that treating an event under which there is no substantial economic change in the Rights of the CD to exploit the film, and no substantial change in the Rights the LLP controls to receive economic benefits from the film or otherwise as being of commercial significance does not accord with the substance of the transaction. Further the circumstances of the Avatar Hedge (Chapter IV) indicate that it was not essential to an LLP's business that a completed film should be delivered to it for onward delivery. [1054] Further the analysis treats the copyright in the film as being an asset of the LLP. FRS5 defines an asset as the right or access to future economic benefits controlled by the entity. But in the light of the fetters on its use of the film, it seems to us that the LLP has no right to control the benefits of the film rights (ie to ensure that those benefits accrue to itself and not others): although it was entitled to payments from the CD in respect of the CD's use of the film, its control was over the Rights to payment against the CD, not over the film. Accordingly we view the right as against the PSC to the film as it was being made as having no commercial substance and as not being able to give rise to economic benefit controlled by the LLP. As a result it does not fall within the definition of an asset in the standards. [1055] Moreover, the Rights and obligations of the LLP under the CDA and the PSA are no different from those which would arise under a tripartite agreement incorporating the terms of those agreements. Save in relation to the fact that there is a formal assignment of the copyright to the CD and the provision of the licence, such an agreement would be similar to that in our Scenario 3. In that example all three experts agree that unless A (the LLP) has a substantial role ('altering the product, adding value, decision making') in the making of the film it should be treated as having one intangible fixed asset, namely the right against the CD. As we explain elsewhere we do not regard the LLP's role in the making of the film as substantial although we accept that prior to contract Ingenious may have had some input. [1056] The difference between our Scenario 3 and the contracts of the LLP is that the PSA and CDA provide for the accrual of the copyright in the film (or 95% of it) to the LLP and the later transfer of 100% of it to the CD (the 5% passing in much the same way as the film on Scenario 3). But in the light of our conclusions as to the commercial substance of the Rights in the film held by the LLP, this cannot make any difference to the correct accounting treatment. [1057] In our view, there was in substance no sale of rights in the film by the LLP to the CD: for FRS5 purposes the LLP only ever had one asset of substance, namely its rights against the CD. That right was held 'for use on a continuing basis in the … business'. It was therefore not a current asset. [1058] We conclude that intangible asset treatment is correct, and that the recognition of the film (the right against the PSC) as stock or [work-in-progress] is not permitted by GAAP since it does not reflect the substance of the transactions. … 9. Summary Conclusions [1106] The accounts of the LLPs do not comply with GAAP. The following changes are required in order to produce profits or losses computed in accordance with GAAP, and thus, subject to other required adjustments, to produce profits and losses for the purposes of income tax: (a) whilst an LLP may be taken to have agreed to treat the CM as making a capital contribution equal to 70, the nature of that contribution cannot be shown as a liability in the LLP’s accounts as it has no substance: representing no obligation of the LLP to transfer economic benefit, at the time of recognition or at any other future time; (b) in relation to ITP no debtor should be recognised in the accounts for any liability of the CM to contribute capital; in the case of IFP2 a debtor should be recognised together with the corresponding Additional Capital Contribution before the signing of a relevant agreement. On any recognition of capital as a result of signing the agreements both the debtor and the Additional Capital Contribution should be reduced and no liability should be recognised in respect of the contribution; (c) on signing the relevant agreements the LLP should recognise the liability of 30 (to the PSC), not 100, and a corresponding asset initially of the same amount; (d) the LLP should not treat itself as having an asset in the form of the Rights in the film. It should treat itself as acquiring under the relevant agreements only the Rights to payment from the CD; (e) cash payments made by the LLP to the PSC (as they did) should reduce the recorded liability of the LLP, but payments made by the CD to the PSC should not affect that liability; (f) the asset acquired under the relevant agreements should be treated as fixed intangible asset; that asset should be accounted for at cost (30) less any permanent impairment, and if necessary a provision for an onerous contract should be recognised. (g) the LLP should recognise any receipts comprising the Sch 7 amounts reduced by BDR/BR; (h) in setting the NRV of its rights in relation to each film the LLP should make the adjustments set out in 6(5) and 7 above, in particular the limitation on the NRV of a Studio film to 66% of cost. If contrary to our view, the LLP should be regarded as having the film as a current asset, it should be valued at NRV so calculated. If we are right and the correct treatment is as a fixed intangible asset, then the combined effect of impairment and onerous contract provision would give rise to the same profit and loss account effect. (i) the adjustments in respect of the deduction for the Operator’s fee described above should be made.”
“JUDGE HELLIER: So, properly accounted for, you say 30 per cent of the cost and 30 per cent of the income. MR JONES: In broad terms, yes. JUDGE HELLIER: Whether you treat that as an item of stock or whether you treat it as fixed asset is a secondary question. MR JONES: It is a secondary question. JUDGE HELLIER: If it is stock or work progress, then you have a write-down which would be the same in either case, the computation of it subject to the question of whether virtually certain is the same as estimated value. MR JONES: Yes. JUDGE HELLIER: And to Mr Cannon's point about the recognition of uncertain future income. MR JONES: Yes, in respect of the turnover in future periods. JUDGE HELLIER: Yes. MR JONES: Yes. JUDGE HELLIER: And if you recognised it as a fixed intangible asset, then you recognise impairment on a long-term basis. MR JONES: I think you recognise impairment. I will just check ... (pause). I am told -- and this really is giving evidence, but I am told that you would amortise it unless you had reason to recognise an impairment upfront. JUDGE HELLIER: There was some evidence given about impairment in the – MR JONES: I will check that over the short adjournment. The questions that the Tribunal put to witnesses, in my respectful submission, were very perceptive in the sense that they pick up on the point about what the LLP is really acquiring and, if the LLP is really acquiring a fixed financial asset under the income stream, which is what it is acquiring, then that helps support, gives some corroboration, to the legal analysis which is that -- when the touch paper is lit, that is all they are ever going to get. That tells you something about what they are acquiring. It is not stock, it is an investment that they acquire and hold and they never deal in.”
“We should add for clarity that our understanding is that, strictly speaking, the correct label to be given to the asset acquired by the LLPs in accounting terms is that it is a “financial asset” rather than an “intangible asset”, although the latter is the correct legal description. However, it was not suggested that anything turned on the correctness or otherwise of the label that the FTT attached to the asset concerned.”
“During the hearing of the Scope of Decision Issue, Judge Sukul and Tribunal Member McBride asked Mr Jones KC whether he was aware of authority in support of the proposition that, when determining whether or not an issue had previously been decided by a court or tribunal, it is proper to look at material other than the decision itself (for example, submissions made to the court or tribunal or the evidence that was before the court or tribunal): see the transcript at page 71, line 12 to page 72, line 7. Mr Jones KC stated that, at the time, he was not aware of such authority. Such an authority has now come to the attention of HMRC’s counsel: Carl Zeiss Stiftung v Rayner and Keeler Limited (No 2)[1967] 1 AC 853 , a copy of which is attached. That was a case concerning issue estoppel, which requires consideration, in a subsequent case, of what issues were decided in an earlier case. At page 965B-E, Lord Wilberforce said this: “One way of answering this is to say that any determination is involved in a decision if it is a "necessary step" to the decision or a "matter which it was necessary to decide, and which was actually decided, as the groundwork of the decision” (Reg. v. Inhabitants of Hartington Middle Quarter Township). And from this it follows that it is permissible to look not merely at the record of the judgment relied on, but at the reasons for it, the pleadings, the evidence (Brunsden v. Humphrey) and if necessary other material to show what was the issue decided (Flitters v. Allfrey). The fact that the pleadings and the evidence may be referred to, suggests that the task of the court in the subsequent proceeding must include that of satisfying itself that the party against whom the estoppel is set up did actually raise the critical issue, or possibly, though I do not think that this point has yet been decided, that he had a fair opportunity, or that he ought, to have raised it.”
“We refer to the email from HMRC’s representatives sent at 11.06 on5 December 2024 , and the communication from the Tribunal by which it invited the Appellants to provide any response by16 December 2024 . The Appellants’ response to HMRC’s email is as follows. We would be grateful if this email could be placed before Judge Sukul and Mr McBride. HMRC has put before the Tribunal an additional authority, being the House of Lords’ decision in Carl Zeiss Stiftung v. Rayner & Keeler Limited[1967] AC 853 . Despite stating that it is “not seeking to provide further submissions to the Tribunal”
“The fact that the pleadings and the evidence may be referred to, suggests that the task of the court in the subsequent proceeding must include that of satisfying itself that the party against whom the estoppel is set up did actually raise the critical issue…”