"I acquired the cloth and absolute title in late September 1997. I purchased it amongst many other items, from a house in Mayfair, London. The Cloth itself was with another far larger textile, the other being probably early 19 th Century Turkish, but again with raised metal embroidery. I subsequently put the Cloth in my secure store to await full research and investigation. In 1998, one of my staff asked if he could 'run it'. I said no (sic) and he duly took it to the V&A. I understand that it was probably seen by Santina Levy. It was also taken to Christie's, South Kensington, who thought it was a stage prop and worth no more than a couple of hundred pounds. I subsequently took it to Sotheby's, who initially felt it was worth£50 – 70,000 (as per the document you have). After several weeks, Sotheby's returned to me saying that they had shown the Cloth to Santina Levy and or another at the V&A, and they did not feel that it was right. We were all fully aware that it had been laid up on 19 th century damask, which it remains on up until now. Sotheby's then suggested it was worth between£3 – 4,000. I naturally declined their kind invitation to enter it into sale, whereupon they suggested that it was probably worth between£4 – 6,000. I started to feel as if people must be treating me as some sort of idiot and returned the item to my strong room. One of my employees offered it to a dealer and subsequently I was told that we could get£19 – 20,000. However, I did not trust my employee so I sacked him for theft and discovered that the person he had offered it to, was somebody with a tiny shop downstairs at Gray's Antiques Market, off Bond Street. In April 2000, I took a stand at Baileys Antiques Fair in Claridges, Mayfair, where I had the Cloth framed and glazed and on display. I received several offers, the most serious being from a Greek shipping magnate. However, I still felt that I did not understand the item sufficiently at this juncture so I had my assistant take it back to Christie's, whereupon they managed to extol [sic] themselves once more and suggest it was worth probably a few hundred pounds and not worth putting it in for sale. In consideration of the knowledge I had acquired in the interim period, that being that this item was probably German or Polish, I placed an advert in Apollo Magazine in about October, 2001. This ad was a full page in colour and we described the item as a 14 th or 15 th century heraldic cloth of gold in the form of a banner. We did not receive one single call as a result of this advert (never never advertise in Apollo). I had also in 2000 or 2001 had the Cloth in display at another Bailey Antique Fair in Ascot, where we had the item on sale with a price tag of£250,000 and as it was the most expensive thing at the Fair, some erstwhile TV station of forgettable name and repute, interviewed me with it. However, we would not disclose the price on television, let alone some obscure cable channel. In 2002, I resurrected the project again and John Hobbs' son, Rupert, asked me if he could do some work on the Piece with a view to earning a commission. Rupert's lady partner is a textile restorer, to which end Rupert took the Cloth back to the V&A. I never did manage to get anything like a coherent or cogent answer from Rupert, pertaining to what the V&A had said, but I know the lady was on holiday that her [sic] was supposed to see, for a very long time. One of my friends, the film director Ben Gooder, thought it would be a potentially good idea to offer it to some absurdly wealthy German Prince that he knew, so I gave him some photos and we offered it to the Prince for£1m . Unfortunately, the Prince was not as responsive as one would have liked! My accountant, Peter Power-Hynes has a passion for the military antique, and he asked if he could have a go with it. He duly e mailed a museum in Poland, who subsequently responded saying that they felt it was two pieces from a funeral coffin shroud and that the crowned head was depicting a forebear and that the images of the crown might not be contemporary to the piece. However, they certainly felt on the images received that it had some very considerable age. Their response showed that whilst they had abundant knowledge, the same abundance did not exist in their coffers and therefore, we did not even ply them with the notion of a sale. I just remembered that when I very first got it, Sam Fog [sic] the Antiquarian Book Dealer, tried to buy it off me for a pittance after I had shown it to my previous employer, Simon Finch. Other than those listed above, the only other people that have had any direct involvement with the Piece, is yourselves. I hope and trust that this history is adequate for your requirements and that this will allow you to direct your efforts appropriately. In addition, I think it is important to stress that it has never knowingly been offered in the United States. Now I remember another occasion not long after I first got it, I used Coutts and they were intrigued by it and wanted to offer it to the Queen. The lady at Sotheby's who signed the letter that you have, got it checked out by the Tower of London, at some considerable length apparently, and they ultimately concluded that the Castle that we all hoped depicted the Tower of London, was not. However, the crown and the style of haircut were synonymous with the fashion of the 14 th century, throughout Europe. The chaps at the Tower, whoever they might have been allegedly concluded that it was probably circa 1400 and from the area that is now Poland and/or Germany. This attribution was given on the grounds of architectural interpretation. I subsequently became somewhat exasperated with everybody. It seems that everybody wanted a slice of the pie at my expense. That is why I am quite delighted at the thought of paying you 30% of a large amount of money rather than a small percentage of a small amount of money. I know all of the above is very jumbled chronologically, and therefore if you need to call me and clarify anything, please don't hesitate in doing so. Again, I wish us both the best of luck with this one!"
"I look forward (if you feel we need it) to receiving our existing agreement documented by Mishcon. However in the meantime I confirm below what we have already agreed verbally: On our side we will have full responsibility for research, conservation, presentation and selling of these textiles and in consideration will receive 30% of the eventual selling price. As you appreciate, the eventual market value will be very dependent on the success and outcome of the research process, currently under way, which is highly specialised and will take time. We have agreed that it would be both premature and unwise to set a price or make any offer for sale until every research lead has been explored. We see it as our objective to establish the extent of these textiles' historical and financial potential and then to conclude a successful sale to a Museum or collector. There will be no separate charges or deduction for any expenses incurred (including travelling) by either party. Whilst you will retain full ownership of the works until title is transferred to the eventual purchasers, it is equally agreed that no sale or offer may take place for either or both textiles without our mutual agreement on price, purchaser and time of sale. It is also agreed that, whatever sum is eventually achieved, we will receive 30% at whatever time this may take place. For clarification, this agreement and venture may not be terminated other than by mutual consent. Please confirm your agreement to this by signing and returning the enclosed copy or, if you feel necessary, by asking Mishcon to draft this agreement in legal terms."
"All we have established to date is that the silver in the silver gilt component of the thread is more similar in composition to material of the 17 th century [this was a typographical error, it should have been 16 th century], rather than to that used in the 19 th century. This does not prove the pieces to be 15 th century or earlier. As you know some specialists, wrongly in my view, have believed them to be fabricated in the 19 th century. I am working in New York from tomorrow and will be examining under magnification the embroidery said to be similar in texture, which dates from the end of the 15 th century. To carry out the conservation, research (at no extra charge), quite apart from eventual marketing and sale negotiations requires expertise, commitment, time and travel. We are not willing to continue to expend this time unless we have an irrevocable commitment that we will receive 30% of the eventual sale proceeds whatever the outcome of the research and whatever the circumstances. This was our original understanding and agreement as detailed in my letter of10 October 2003 . If that is not acceptable and cannot be clearly documented we will be unable to proceed."
"I have endeavoured to commit to paper the assurance that you require. If this assurance is insufficient for you, then please send me a copy of what you would like to include. Having never signed such a stringent undertaking, I hope that this missive should satisfy you. I trust that I have remained within the spirit of our agreement, along with the substantive undertaking that we have agreed verbally before."
"Further to my letter to you of28 January 2004 and your reply dated30 January 2004 , kindly amend: 1.0 You are the sole appointed agent to act on my behalf to restore, conserve, research, photograph and to market the two embroideries. It is agreed that if offered for sale within the UK or within the EEC, VAT (at the prevailing rate at the time) will be added to the base sale price and, if exported from the EEC, the base sale price should (if allowed at the time) be zero-rated. Accordingly the embroideries will not be offered for sale under the margin scheme. 2.0 Upon the receipt of an acceptable offer or offers, for either or both embroideries, (that acceptance to be agreed by me in writing prior to any sale or sales being confirmed) you shall be paid 30% of the base sale price or prices (see 1.0 above) received from the purchaser (or purchasers if sold separately). All the terms of this agreement continue to apply to the second embroidery in the event of the completion of a sale of the first. 6.0 I agree to be bound by the above terms for a period of 7 years or until a sale (or sales if sold separately) of both embroideries is completed, whichever is earlier. The period of 7 years will commence from the date of signature of the two parties to this agreement."
"I bought the entire contents of a flat in Mayfair nearly seven years ago and included in amongst the artifacts [sic] was this peculiar double-sided flag. I later discovered it is what is referred to as 'a cloth of gold'. It did not start life as a flag – the two images (for there is now one either side of the flag) were originally on a blanket-sized piece of cloth which would have been draped over a king's coffin, in this case probably the 14 th Century. More probably, Edward II or Edward III, which if this proves to be the case, would make the items worth about£12 million plus, as this would be one of the rarest cloth artifacts in existence. I have had a number of people look at the item and I have finally retained the top dealer in the world on a commission basis to sell the items to leading world institutions, understanding that the export of the items will be initially blocked, but that subsequently we should be to sell one to the British Museum and the other to the Getty. Whilst I have not signed a formal contract with the dealer, it is for the most part a done deal but I am left with the advantage of being able to assign title and the given value at this time stands at£300,000 . On the subject of title, I acquired the piece when I was a sole trader, trading under the name 'First London Clearance and Sunburst Trading', however, I could possibly show the item as being owned by a Ltd company. I trust this is the body of information that you required, please revert to me with any questions that you may have and I shall do my best to answer them swiftly. Thank you very much for your attention in this matter."
"The owner has full title to the Embroideries, which confirmation of title the agent accepts without further investigation."
"The only thing I said was bricked up was the Henry Moore bronze... End of" (meaning, as I understand the current usage of those two words, "end of story" or "end of discussion" ). It was put to him that Mr Franses had the impression that they were all together. He replied, almost shouting, "
"The writer has now had an opportunity to discuss the matter with Mr Franses and review your client's most recent proposals. We find there are contained in the draft several terms which Mr Franses cannot accept, however given your client's assertion that he is neither willing to negotiate any of these nor deal with the matter by way of mediation, these details must remain academic and we do not propose, therefore, to go into any detail, unless specifically requested to do so by your client. Given the above, it would seem more sensible to turn to the matter of remuneration for the considerable work Mr Franses has already undertaken pursuant to the oral agreement made by the parties in January 2004 and we understand that Mr Spencer would agree to pay any expenses incurred by Mr Franses as a result of that agreement. In relation to the time spent by Mr Franses on authentication, comparative study, research and discussions with various experts in the UK, Europe and in the United States, our position remains the same, namely that Mr Franses is entitled to reasonable remuneration based on part-performance of the original oral agreement terminated by your client. Whilst we believe Mr Spencer has details of these, we will be happy to provide these again should you so request."
"Mr Spencer has apparently voiced concern over the fees he has paid out to solicitors instructed by him in this matter. We are, of course, unable to comment on this aspect save perhaps to suggest that if he can persuade another firm to act as his agent then those fees will not have been in vain. Mr Franses has, after all, now established that the items are in fact medieval in origin and not victorian stage props as Mr Spencer had originally been advised by other experts. Once Mr Spencer has paid for the work undertaken by S Franses Ltd, Simon Franses will be happy to discuss his investigations and conclusions thus far with Mr Spencer or his new agents."
"In short your firm's demand for the£93,183.38 against the return of our client's goods is and was indefensible and unjustifiable. It will be put to the court that your demanding a sum of£93,183.38 from our client in all the circumstances was an outrageous and opportunistic try-on that was reckless, if not dishonest. In our view the court will uphold that contention. Accordingly we believe that any claim as to your integrity and that of Mr Franses will be left in tatters after Mr Franses' cross-examination in relation to your claim for£93,183.38 ."
" Judge raps Guardians - Give two a fraction of fat fees requested"
"Mr Franses wishes also to put on record that the research carried out was limited, at the behest of your client, to the historical provenance, design and medieval origin of the embroideries and that this research can only be used by Mr Spencer for his own information. Any work, archival images, or material cannot be published or reproduced without our client's prior written consent as these may be subject to copyright."
" 1. The embroideries (which he warrants are his). 2. A certification from our client that the embroideries are the items deposited by our client, and that since the date of deposit they have been maintained in the same condition by your client. 3. A report and all relevant accompanying documentation and materials on the fruits of your client's research, for which your client in receiving the£35,000 . If this material is not available by the deadline, your client must provide it as soon as practicable after. The unavailability of (3) must not stop the handover of the embroideries."
"We cannot and will not permit your client to use our good name and physical possession of the pieces and scholarly research as confirmation that he has clear and absolute title and to assert (in your words) that there is "no controversy with title"
"Our client's concern is that any information as to our client's title will be used as a vehicle by your client to engineer further delays in returning our client's property to him and in generating or attempting to generate issues as to title, motivated by ill will at losing the commission on the sale of the embroideries. Against the foregoing background it is therefore with grave misgivings that we provide a copy of the receipt dated12 September 1997 recording that in exchange for£5000 paid by our client to the Guardians of Judy Keele, our client purchased and thereby acquired good title to the items referred to in the receipt (which included the embroideries, which were amongst the items cleared from the property). We reiterate that we believe our client is not obliged to provide your client with such evidence because as a bailee your client is required to return the embroideries to our client as bailor. The only reason your client is given the receipt is that if this was not done, the court might think that even though our client might have been legally correct, it might have avoided the ensuing litigation had it been supplied."
"Our client will not be providing you with the indemnity your client seeks in its letter of25 February 2009 . First, for the reasons we have given in this letter, your client has no legal right to demand such an indemnity, and second no right to refuse to return our client's property to him if he refuses to provide such an indemnity. Third and in any event, our client has no trust or confidence in your client's integrity, and he is unwilling to provide any indemnity to your client in such circumstances."
"It is clear that quite a lot has happened since our last involvement a few years ago, and we are still reading into the papers. We have your letter of yesterday's date to our client's in-house solicitor, which we will need to consider in detail. However, we can usefully state our client's broad position here… …It is clear that, historically, your client has been extremely reticent to disclose details of his title to the textiles. You will appreciate that, beyond a certain point, this in itself generates unease. If, hypothetically, it were to emerge that there was a problem over title, our client could be exposed in the tort of conversion (or worse) to any putative owner. Our client has sought indemnities from your client to provide at least some safeguard against that (they may not be enough now), but these have been steadfastly refused. Your client originally sought express acknowledgements from our client of his title, which occurs to us as unwarranted, but which again served only to heighten concerns... …Our client has conducted certain enquiries of its own more recently with regard to the current provenance of the textiles, and again this has served only to increase their concerns, such that our own client's fees have ceased to be the primary issue for them at this stage. Your letter and the enclosure now compound these concerns. The receipt your client has provided raises some very serious questions, especially when taken against information given by your client previously. The wording in the receipt strikes us as being odd. It purports to record a sale of these textiles by a Mr John Nevin, as co -Guardian of an incapacitated person . We can infer from this that Guardians were appointed at the behest of the court, and there are issues of public trusteeship and Guardianship involved. We are not New York Attorneys, but would suppose that if the court there saw fit to appoint more than one Guardian, receipts and dealings with estate property would need to be co-signed by all Guardians. What of the other co-Guardians? The receipt records that amongst the items excluded from sale was a Henry Moore bronze sculpture ; we can fairly deduce from this – and indeed the Mayfair address of the premises at which these items are found – that this incapacitated person was a person of some considerable means. If that person was in possession of a Henry Moore bronze, then textiles also found at the premises ought to have been appreciated (a fortiori by Guardians appointed by the court) as items of potentially significant value. The receipt for the valuation at Sotheby's shortly afterwards referred to the owner as being the Haussen Trust. What of their role? Despite all this, we are to understand that the textiles were seen as 'bric-a-brac', and sold – with numerous other items - for£ 5,000 . It is simply not credible to suppose that these textiles could ever have been valued as worthless by Christie's."
"Ordered, that pending the further order of this Court, S Franses Ltd, doing business in New York as Franses of London, is hereby restrained and enjoined from selling transferring delivering or releasing possession of the two large medieval silver-gilt textiles alleged to be property of the Estate of JUDY KEELE, deceased, until the further order of this Court "
"The first is whether the services were of a kind which would normally be given free of charge. Secondly, the terms in which the request to perform the services was made may be important in establishing the extent of the risk (if any) which the Plaintiffs may fairly be said to have taken that such services would in the end be unrecompensed. What may be important here is whether the parties are simply negotiating, expressly or impliedly 'subject to contract', or whether one party has given some kind of assurance or indication that he will not withdraw, or that he will not withdraw except in certain circumstances. Thirdly, the nature of the benefit which has resulted to the Defendants is important and in particular whether such benefit is real (either 'realised' or 'realisable') or a fiction, in the sense of Traynor CJ's dictum. (This is a reference to Traynor CJ's judgment in Coleman Engineering Co v North American Aviation 420P 2d 713, 729 (1966) where he said that 'If in fact the performance of services has conferred no benefit on the person requesting them, it is pure fiction to base restitution on a benefit conferred' but that recompense in respect of such services is based on the performing party's justified reliance on the request of the other.) Plainly a court will be more inclined to impose an obligation to pay for a real benefit, since otherwise the abortive negotiations will leave the Defendant with a windfall and the Plaintiff out of pocket. However the judgment of Denny LJ in the Brewer Street case [[1954] 1QB 428 ] suggests that the performance of services requested may of itself suffice [to] amount to a benefit or enrichment. Fourthly, what may often be decisive are the circumstances in which the anticipated contract does not materialise and in particular whether they can be said to involve 'fault' on the part of the Defendant, or (perhaps of more relevance) to be outside the scope of the risk undertaken by the Plaintiff at the outset. I agree … that the law should be flexible in this area, and the weight to be given to each of these factors may vary from case to case."
"It is a common law principle that if a person has an article delivered to him on which he has to do some work and to bestow trouble or expense, he has a right to retain it until his charge is paid. Thus, the artificer to whom goods are delivered for the purpose of being worked up, the farrier by whose skill an animal is cured of disease and the horse breaker by whose skill an animal is rendered manageable, have liens on the chattels for their charges. Similarly a solicitor has a lien over his client's papers for recovery of fees as well as a statutory power to take security for his costs or to apply for a charging order under theSolicitors Act 1974 . The lien applies only to the chattel produced or on which the work is done"
"It is established that for a possessory lien to take effect the labour or skill of the artificer must improve the condition of the chattel"
"Suppose one having a diamond, offers it to another for sale for 100l and gives it him to examine, and he takes it to a jeweller, who weighs and values it; he refuses to purchase, and being asked for it again, he says, the jeweller, must be first paid for the valuation; as between the jeweller and purchaser, the jeweller has a lien; but as against the lender, he has no right to retain the jewel; it seems to me that this case is similar"
"I rather doubt whether some of the cases which have been mentioned, as that of weighing the jewel, are not a straining of the rule; if they are sound, it must be upon the principle stated by my Lord."
"With respect to the cases which have been referred to, of the jeweller weighing the diamond, and of the measuring of corn, by which the value of the thing is not apparently increased, the answer is that the labour is bestowed upon the article itself. If a man has a lien for carrying corn, why should he not also for letting it pass through any other process which makes it more valuable, or appears to do so? An ingot of gold is more valuable when it has been assayed by the standard; it is more likely then to find a purchaser, its quality having been ascertained: so also is an article the quantity of which has been ascertained. These cases, therefore, fall within the rule that the lien exists wherever labour has been bestowed upon the article itself ; here all that appears is that something has been done "with respect of" it: that does not create a lien."
"However in cases of alleged improvement to value, the improvement is dependent on the person who has performed the service standing by the work they have done, and they often have it in their gift to remove the benefit. If the hypothetical jeweller, for example, subsequently stated that his opinion may have been mistaken, or at least that he could not be sure, the claimed 'improvement' to the chattel evaporates."
"A person claiming a lien must either claim it for a definite amount, or give the owner particulars from which he himself can calculate the amount for which a lien is due. The owner must then in the absence of express agreement tender an amount covering the lien really existing. If he does not, unless excused, he has no answer to a claim of lien. He may be excused from tendering (1.) if he has no knowledge or means of knowledge of the right amount; (2.) if the person claiming the lien for a wrong cause or amount makes it clear that he will not release the goods unless his full claim is satisfied, and that claim is wrongful. The fact that the claim is made for more than the right amount does not matter unless the Claimant gives no particulars from which the right amount can be calculated, or makes it clear that he insists on the full amount of the right claimed : see Scarfe v. Morgan ; Dirks v. Richards ; Huth & Co. v. Lamport , per Lord Esher; and Rumsey v. North Eastern Ry. , per Erle C.J. and Willes J."
"Our client has conducted certain enquiries of its own more recently with regard to the current provenance of the textiles, and again this has only served to increase their concerns, such that our client's own fees have ceased to be the primary issue for them at this stage ."
"at least in the absence of a positive demand from a third party."
"Commerce...would become paralysed if the care and deliberation taken when investigating title to land were also taken when chattels are bought and sold. This is why the owner of a chattel may be described as the person with the best possessory interest in it. The affinity between possession and ownership has long been recognized by the law."
' If the refusal is by a person who does not know the Plaintiff's title, and having a bona fide doubt as to the title to the goods, detains them for a reasonable time, for clearing up that doubt, it is not a conversion'
"I cannot find it anywhere distinctly laid down, but I submit to your Lordships that on principle, one who deals with goods at the request of the person who has the actual custody of them in the bona fide belief that the custodier is the true owner, or has the authority of the true owner, should be excused for what he does if the act is of such a nature as would be excused if done by the authority of the person in possession"
'The authorities show clearly, as one would expect, that a man does not act unlawfully in refusing to deliver up property immediately upon demand made. He is entitled to take adequate time to inquire into the rights of the Claimant.'