“Height: 15.5 cm. Diameter: 13 cm. Carved from a large block of translucent quartz, the ewer stands on a short foot, and has a globular body with a tall, slightly everted neck; the original handle is now missing; there are drill holes close to the break line suggesting an old repair. It is relief-carved on the exterior with mirrored decoration meeting at the front of the ewer. The neck features a row of four birds resembling partridges, two on each side facing away from the handle and two which meet head on. The globular body is designed with four birds that echo the row above. These stand amongst stylised vegetal designs and scrolling palmettes, forming a harmonious yet natural design.”
“The technical analysis of this vase was conducted by Elise Morero of the Research Laboratory for Archaeology & the History of Art at Oxford University. It was compared to rock crystal models (ewers and fragments) from the Fatimid period as well as nineteenth-century European and modern copies. … The overall conclusion of the technical analysis carried out by Elise Morero suggests that this piece may pre-figure Fatimid models, and may belong to the rare group of surviving rock crystals from the Abbasid dynasty.”
“This extraordinary rock crystal ewer reinforces our knowledge of the connections that exist between early Persian metalwork, early rock crystal production in the central Abbasid lands, notably Basra, and the continuation and efflorescence of this craft in Fatimid Egypt, as paralleled by relief-cut glass models. This piece is indeed the missing link between the two traditions of cut glass and carved rock crystal. The multiple stylistic sources and parallels used to explain its significance are crucial to our understanding of the origin of shapes and ideas and their dissemination across media. This piece carries multiple associations, and helps to fill in the gaps in the story of a craft and a tradition that represents the pinnacle of luxury artistic production at the heart of the medieval Islamic world.”
“FOR AND IN CONSIDERATION OF the sum of 1 500 000 000 RL, paid by cash, the receipt of which is hereby acknowledged, Mr Naser Mohammadi (the seller) DOES HEREBY SELL, ASSIGN, AND TRANSFER to Mr Ali Saatsaz Jeddi the property described as follows Description: A Rock crystal Jar, ornamented with motifs of birds and flowers, lacking handles, slightly broken on above edge. This object is believed to belong to an Islamic period. The property is being sold on an ‘AS IS’ basis and the seller explicitly disclaims all warranties, whether expressed or implied, including but not limited to, any warranties concerning date and origin of the said object. The buyer has been given the opportunity to inspect the Property, or alternatively, have the Property inspected. Additionally, the Buyer has accepted the Property in its existing condition. IN WITNESS WHEREOF, the parties have executed this Bill of Sale on August 15, 2010.”
“[Notepaper of Carlton Tower Hotel Dubai]25/1/2012 I the undersigned Ali M. Pishvaie, hereby state that the Islamic crystal Jar has been consigned by Mr Ali Jeddi to me for sale at one of London auction houses (Sotheby’s or Christie’s). The proceeds from the sale would be shared on 75% and 25% basis (25% to Mr Pishvaie). All the cost regarding this sale should be paid by Mr Pishvaie. The shares are based on hammer price.”
“I the undersigned Ali M. Pishvaie declare that the early Islamic crystal Jar purchased in Isfahan has been in the family collection since 1956. It was shipped with a group of objects to Europe in November 1968 and has been in the U.K. from 1981 to the present day.”
“Private Collection in Isfahan until 1969 In Europe since 1968 In UK since 1981.”
“[3 February 1969 ] Mr Ali Pishvaeei Further to Friday’s phone call and per request of your father to send your family collection items to Hamburg through Mr Javad Meshkin, please note that transportation and insurance costs will be paid by a carpet trader friend in Germany. Please don’t pay him anything in this regard. Mr Pishvaeei said that you will be travelling to Europe next month to collect the items. When collecting, please check the items against the following list and hand a signed copy (of this note) to Mr Meshkin. Best Regards Mohammadreza Rowhani.”
“There is nothing out of period in the paper for the date of3 February 1969 on the letter. The fibre blend, type of ruled lines, surface finish, the lack of OBAs [optical brightening agents] and the condition and degree of foxing present, are all consistent with a date of manufacture during the late 1960s.”
“Reportedly found in the Caucasus region in the early 1920s … European private collection since the 1970s.”