"Do you want me to turn your life into this?"
"You have seen her description. 'Blood all over the carpet.' Russian history, and Russia of which I am a fan - it is full of drama. Uprising and the spillage of blood. If you go to St Petersburg - you may have been - it is fabulous. You can see the Church of the Spilled Blood. It is brilliant. It is the upside-down 'Cornetto church' like the one in Moscow. In my short remarks at the end of this case, a case full of characters and full of drama, I pay tribute to that history of Russian drama and I have drafted a play. I have written it, although the true author is a silent architect. Listen to His Honour deal with the question in law of silence and when a suspect remains silent and avoids the witness box. She does not have a speaking part in my play; you have seen that. She stayed there. Like all dramas, there is a baddie. It is Robert McKendrick. Like all baddies, he has got questionable morals and he is attracted to money and followed by trouble ..."
"Unlike the speeches of Counsel, I am not arguing for one thing or the other and I have not got to engage in flourishes of this that and the other to keep you interested."
"You must base your conclusion on the evidence, not sympathy for the victims, not sympathy for the plight of either of the defendants or emotion on behalf of one party or the other, and certainly as Mr Csoka quite rightly said, not on any perception of stereotype. She is Russian, therefore ...It would be wholly wrong for you to act on that basis. You look at the evidence."
"Now that you may think is important, because as I say, he left no fingerprints at all, yet on any view he touched the ID card, he touched the water bottle, on any view, on his own account, but no fingerprints."
"... we think the sentence should be adjusted so that the sentence should have the effect that the judge intended."