"The public house is a live music venue and the premises has a live music venue licence permitting live music events to be held until 12.00 am throughout the week and also permits live music events to be followed by DJ music until 3 am on Fridays and Saturdays. It employs 11 young people and provides a platform for hundreds of artists from all cultures and backgrounds, local and international. The appellant has been restoring the George Tavern for a number of years and that restoration is largely funded by its commercial activities, principally through its being let as a location for film, music videos and for fashion shoots. Part of the upstairs is used as an artists' studio and also as a studio for fashion photography."
"2. The application for planning permission for the redevelopment of the site was submitted by the third defendant, Swan Housing Association Ltd, to the second defendant, Tower Hamlets London Borough Council, in October 2011. A previous scheme had failed on appeal in December 2008. In January 2012 and again in June 2012 Ms Forster objected to this new proposal, fearing that residents of the dwellings in the new building on the site might complain about the continued use of the George Tavern for live music, the making of films and other activities. The proposal was submitted to the council in three applications – for planning permission, conservation area consent and listed building consent. The application for conservation area consent was required because Stepney's Nightclub is an unlisted building in the Commercial Road Conservation Area; the application for listed building consent because the George Tavern is a grade II listed building, as is the adjoining building at 2a Aylward Street and Swan's proposal included alterations to the external walls of both of those buildings. The council refused all three applications in July 2013. In January 2014 Swan appealed against those decisions to the first defendant, the Secretary of State for Communities and Local Government, who appointed an inspector ... to determine the appeals on his behalf. The appeal was decided on written representations. The inspector's decision letter allowing all three appeals is dated28 October 2014 ."
"The amenity of the new residents within the proposed three-storey building and the area generally would be detrimentally affected by reason of general disturbance and significant noise emanating from clients using the outside beer garden area in Aylward Street and from the George Tavern public house building with live music licence including associated plant."
"In paragraph 5 of his decision letter the inspector identified 'the main issue' in the appeal as being 'whether the future residents of the proposed scheme would be subjected to unreasonable levels of noise'."
"Concerns are expressed by the owner of the public house as well as many others, that the presence of residential units on the appeal site will give rise to restrictions on the functioning of the public house and its ability to host music events."
"Whether [the inspector] failed to take into account as a material consideration the harm the development would do to the viability of the George Tavern."
"76. Ms Graham Paul submits that the inspector failed to have regard to the potential harm to the operation of the George Tavern as an established business, even if condition 9 turned out to be effective. The testing of the 'sound insulation' measures provided in the new development might show them to be adequate before the flats were occupied. But even if it did, this would be no guarantee that residents of those flats would not in the future complain to the council about noise coming from the George Tavern. Such complaints might lead to an abatement notice being served, or 'the revocation of the [George Tavern's] late night music [licence] on the ground that there was a breach of the licensing objective of prevention of public nuisance', or an injunction being granted to prevent a private nuisance. It would be no defence to a claim in nuisance that the residents of the new flats had come to the nuisance. The inspector also overlooked the use of the George Tavern as a studio for artists and photographers and as a film location when he was considering the reduction in sunlight and daylight which the development would bring about. In both respects the potential harm to Ms Forster's business was a material consideration in the appeal."
"77. Those submissions are not well founded. The inspector did not fail to grasp the true nature of Ms Forster's objection to the proposed development. In stating the main issue in the appeal to be 'whether the future residents of the proposed scheme would be subjected to unreasonable levels of noise' (paragraph 5 of the decision letter), and in acknowledging Ms Forster's assertion 'that the presence of residential units on the appeal site will give rise to restrictions on the functioning of the public house and its ability to host music events' (paragraph 8), he effectively recognized the matters about which she was mainly concerned. If, as he concluded, residents of the flats in the new development were not going to be subjected to unreasonable levels of noise, it would follow that those residents would not be likely to complain about such noise and that the spectre of future proceedings against Ms Forster could therefore reasonably be discounted. ... 79. ... But in any event the inspector's task was to make planning judgments on the land use planning issues before him, and not to anticipate the likelihood or outcome of future proceedings against Ms Forster as owner of the George Tavern. He cannot be criticized for not venturing into the law of nuisance. His remit was to determine Swan's appeal on the planning merits, having regard to the public interest. That is what he did. The issues he discerned in the appeal were truly planning issues, the main one being whether planning permission should be withheld because residents of the flats in the proposed development would suffer unreasonable levels of noise. Having considered those issues, he could see no reason for planning permission to be refused."
"Contrary to Ms Graham Paul's submission, [the inspector] did not fail to consider what she described as the 'abnormally sensitive uses' on those upper floors. He did not neglect this aspect of Ms Forster's objection, including her fear that the use of her premises 'as a location for film, music videos and for fashion shoots' would be jeopardized. As he said at the end of paragraph 17 of his letter, he was satisfied that the development would have 'no unreasonable effects' on daylight and sunlight. This was classically a judgment for him to make, and with which the court cannot, in my view, properly interfere. I cannot see how any more detailed reasons could be expected here. They would only elaborate on what was, in fact, a straightforward exercise of planning judgment."
"Both the learned judge and the inspector erred in law by equating acceptability for normal use with acceptability for artistic and photographic use. The planning judgment was tainted by that error of law and the inspector ought to have acknowledged that a higher quality of daylight and sunlight is required to make the venue attractive for such uses and considered expressly whether the impact of the development was acceptable in those terms."