“...they will not infringe the Claimant’s copyright in photographs taken by the Claimant (whether by their servants or agents or any of them or otherwise howsoever), including without prejudice to the generality thereof: a) the photographs set out in the Schedules attached to the Statement of Claim herein; b) the photographs referred to in the Defendants’ Remittance Advices issued to the Claimant for the period 1982 to 1998; and c) the copies of photographs provided by the Claimant to the Defendant following the completion of his searches of the photographs in the Defendants’ possession referred to in paragraph 4 to Schedule 1 hereto; save that any Defendants shall not be in breach of this undertaking if they establish that they have taken all reasonable steps and used their best endeavours not to infringe the said copyright.”
“(a) reproduced the Claimant’s photographs in a database known as “MirrorPix” and further communicated them to the public contrary tosection 20 of the Copyright Designs and Patents Act 1988 by making the said database available to the public by electronic transmission in such a way that members of the public may access it from a place and a time individually chosen by them, by means of the Defendant’s website mirrorpix.com. (b) reproduced the Claimant’s photographs without the Claimant’s consent in the form of a database or databases comprising reproductions of back numbers of the Defendants’ newspapers. (c) communicated the Claimant’s photographs to the public contrary tosection 20 of the Copyright Designs and Patents Act 1988 by making the said database available to the public by electronic transmission in such a way that members of the public may access it from a place and at a time individually chosen by them, by means of the Defendant’s websites mydailymirror.com, mirrorarchive.co.uk and arcitext.com. (d) sold and/or offered for sale from the said database photographs taken by the Claimant, the subject of his copyright, via its said websites mydailymirror.com, mirrorarchive.co.uk, and arcitext.com.”
“that MGN is entitled (1) for archival purposes to copy, retain, and store copies of the photographs in which he owns the copyright as incorporated in previously published editions of the Defendants’ publications (“the photographs as published by MGN”) in electronic form or in any other form used from time to time in the publishing industry and (2) to use the same for its internal purposes and (3) to make the same available to third parties as part of the MGN archive but only non-commercially, and as permitted by law.”
“20 (1) The communication to the public of the work is an act restricted by the copyright in – (a) a literary, dramatic, musical or artistic work, (b) a sound recording or film, or (c) a broadcast. (2) References in this Part to communication to the public are to communication to the public by electronic transmission, and in relation to a work include – (a) the broadcasting of the work; (b) the making available to the public of the work by electronic transmission in such a way that members of the public may access it from a place and at a time individually chosen by them.” (a) a literary, dramatic, musical or artistic work, (b) a sound recording or film, or (c) a broadcast. (b) the making available to the public of the work by electronic transmission in such a way that members of the public may access it from a place and at a time individually chosen by them.”
“The concept of a “collective work” (as opposed to a compilation) is not a feature of the 1988 Act and there may be provisions in the Canadian Act which give such works a measure of special protection. But the decision is, I think, inconsistent with English law which, so far as I am aware, has never treated copyright in a compilation as providing a defence to a claim for infringement brought by someone whose own copyright material has been included without his consent. The rights of copyright owners are governed by the 1988 Act and there is nothing in the Act which limits the rights under s.16 of someone in the position of Mr Grisbrook in the event that his work is included in a newspaper or other compilation. He retains the exclusive right to copy the work save to the extent that he licenses the publishers to do so. MGN are not therefore assisted by the Canadian decision.”
“It enabled users to access the front pages of editions of the Daily Mirror from 1903 to the present day. The only search facility was by date of publication. A user could select the front page for a particular day and then purchase a reproduction of it either in poster form or with it printed on T-shirts or greetings cards. Most of the front pages pre-date on-line publication and were therefore scanned into the database from microfiche or from hard copies of the papers. There is therefore some loss of quality in the images but they are sufficient for the purposes of the reproductions available.”
“mirrorarchive.co.uk is owned by MGN and was set up as a beta test site in April 2007. It is not fully operational and has been open only to a small number of selected users in order to test its functionality. When fully operational it is intended to be the commercial equivalent of arcitext.com. Subscribers will be able to access and download the whole or selected pages of all Daily Mirror newspapers published since 1903. The database therefore stores electronically in pdf format complete copies of all such papers. It is not limited to front pages. There is a dispute as to how profitable the site will be but that is largely irrelevant to this application. It is intended to be a commercial operation.”
“Although my decision is that the operation of the back numbers websites does infringe Mr Grisbrook’s copyright in his photographs, those rights can be adequately protected by a declaration to that effect. This is not a case where there has been any deliberate or conscious non-compliance with the consent order and I do not therefore propose to take any further action in respect of the breach of the undertaking which it contains.”
“whether the licence which Mr Grisbrook undoubtedly gave to MGN to use his photographs in their newspapers extended to the storage of and access to his work provided by arcitext.com and mirrorarchive.co.uk websites.”
“54…MGN has for many years stored archived hard copies of its newspapers and microfiched copies of complete editions for each day of publication since 1903. This material has always been available to journalists with MGN and access is also granted to professional researchers for a fee. 55. Print overruns are delivered to a commercial organisation (Historic Newspapers) and are available for purchase by the general public. MGN also deposits copies of its publications with the British Library under theLegal Deposit Libraries Act 2003 . The British Library archive is stored at Colindale and public access is free.”
“Mr Grisbrook and other freelance photographers were obviously aware that MGN, like any other newspaper publisher, would retain an archive of published editions. At the time he supplied his photographs this was done in the form of hard copies and microfiche. No photographer could have intended to retain a veto on the newspaper’s ability to store back editions in a safe and effective way and this licence would, in my judgment, have extended to any forms of new technology available from time to time for that purpose. It would therefore have been an implied term of the dealings with the paper that storage, whether on microfiche or in electronic form, was permitted. The only real issue as I see it is whether the licence also extended to making the back numbers database more widely available to members of the public.”
“The terms of the licence have therefore to be determined as a process of implication from the course of dealing between the parties. From that it is clear that he gave MGN a licence to publish any of his photographs submitted to them on payment of a fee. A further fee was payable in the event of any further publication of the photograph in a later edition. In the meantime, MGN had his consent to retain and store the photographs in their picture library which, in time, came to include a digital library.”
“It seems to me that the approach of Lightman J is consistent with the fact that any licence represents a derogation from or relaxation of the copyright owner’s statutory rights. It must therefore be for the defendant to justify (absent express agreement) the basis for extending the licence to cover what would otherwise be separate acts of infringement. Although that test is, in my judgment, satisfied in respect of the compilation of the database and its use for archive purposes, its exploitation through the back numbers websites seems to me to be a different kind of operation which was not contemplated at the time when the licence was granted and cannot be said to have been necessary to regulate the rights of the parties at that time. For these reasons, I take the view that Mr Grisbrook’s copyright in his photographs has been or would be infringed by the operation of the back number websites.”
“...the engagement for reward of a person to produce material of a nature which is capable of being the subject of copyright implies a permission or consent or licence in the person giving the engagement to use the material in the manner and for the purpose in which and for which it was contemplated between the parties that it would be used at the time of the engagement.”
“(8) if necessity requires only the grant of a licence, the ambit of the licence must be the minimum which is required to secure to the Client the entitlement which the parties to contract must have intended to confer upon him…. (9) the licence accordingly is to be limited to what is in the joint contemplation of the parties at the date of the contract, and does not extend to enable the Client to take advantage of a new unexpected profitable opportunity.”